Skinny Jeans, John Wayne, And The Feminization Of America - The Philadelphia Bulletin Archives

Despite what feminists might argue, real men don’t wear skinny jeans. Real men also don’t wear V-neck tees, or accessorized scarves, and they avoid purple and pink like the plague. The mere idea of a pedicure or waxing makes a real man nauseous. If a woman hangs out with this kind of girly-man routinely, it’s only because she wants to share his wardrobe and his non-fat caramel macchiato. A woman can’t imagine a man reloading his double barrel shotgun or chopping wood when he’s donned in Donna Karan and drinking an Appletini. Men were meant to wear rugged Wranglers, leather jackets and boots, like they belong in a James Dean movie and not an episode of “Will & Grace.”

When did men in America go from being masculine steak-eating, plaid shirt wearing, Old Spice smelling, cigar smoking cowboys who like football, hunting, and Clint Eastwood movies to skinny jean wearing, satchel carrying, pierced ear metrosexuals who like chick flicks, “The View,” and Bath & Bodyworks? The American man is an endangered species due in large part to the over-feminization of society.

Not surprisingly, the arrow of blame points towards the feminists who have transformed our schools into gender neutral zones of indoctrination. Early on, boys’ innate masculinity is suppressed by banning competitive, rough games like dodge ball and tag on the playground, having co-ed teams, not keeping score in soccer games, and rewarding passive, demure behavior.

Boys learn to subdue their more spirited, intrepid behavior in elementary and middle school, their male instincts of competition and individualism quashed in the interest of what’s best for girls as they walk like lemmings over the edge of the radical feminist cliff by the time they reach high school. Because of the feminist movement, boys aren’t allowed to be boys - society has fenced them in, corralled their adventurous enthusiasm in the name of sexual equality. The end product is pantywaist pushovers who will cry during “Steel Magnolias” and urinate sitting down. This is bad news for America, who will eventually have to reap what the feminists have sown, which will be a paucity of male leaders, entrepreneurs, scientists and heroes.

Phyllis Schlafly, President of Eagle Forum, reports in “Where Are the Men?” that the ratio of males to females on college campuses has swung from 60-40 to 40-60, with 58 percent of women earning degrees from four-year colleges. In the coming years, this will severely impact the American family who have traditionally relied upon the father as the primary breadwinner.

It is simply foolish to think that America can prosper without men, but New York Times columnist and radical feminist Maureen Dowd suggests the opposite. Mr. Dowd is the author of Are Men Necessary? When Sexes Collide in which she opines and whines about the current state of feminism and questions the value of a woman pursuing a male mate.

Hollywood is also doing its part to marginalize and diminish the role of men in this society. In the Academy Award-winning movie “Juno,” a teenage girl is faced with an unplanned pregnancy after a night of casual, meaningless sex with her friend Paulie. Juno not only ignores Paulie after they have sex but overtly excludes him from any decisions about whether or not to choose abortion over life. To the viewer, Paulie is a non-factor, a by-stander incapable of taking charge, unable to rescue Juno and stand firm in his fatherhood, albeit unplanned. Feminists just love a movie that glamourizes teenage pregnancy and deprecates the male role in conception.

In Jennifer Aniston’s new movie “The Switch,” she plays an unmarried 40 year old who decides that she doesn’t need a man to have a baby, and, instead, turns to artificial insemination of a donor’s sperm - even throwing a “Getting Pregnant” party to celebrate with her friends. The male roles in the movie are those of sperm donors, with Aniston’s character firm in her belief that a woman doesn’t need a man to conceive and rear a child. The implicit message of this movie is that men are not important in the raising and nurturing of children. Their biological contribution to conception is where their role begins and ends.

Unfortunately, this kind of thinking has become the norm rather than the exception in American culture. Feminists’ dogged efforts to have society view men and women as being the same instead of different but equal have paid off. The rotten fruits of their endeavors are manifest in statistics recently released by The Heritage Foundation which reports that, in 2008, a record 40 percent of babies born in the U.S. were born to unwed mothers compared to about 3 percent in 1929.

American men aren’t men anymore because feminists have equated maleness with everything that’s repugnant and have molded men to be more like women. Feminists have slayed the real man by suppressing his desires for adventure, beauty, and competition, his yearning for greatness and excitement. John Wayne once said, “I’m the stuff men are made of.” America needs more John Waynes.