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    Default Favorite Movie Scenes

    In this thread, we post our favorite scenes from movies we enjoyed. Anyone who doesn't care about spoilers or already saw the movie and wants to watch it again can check them out and anyone can share their own. I'll start with a few, *SPOILER ALERT* for all movies I am posting in case you haven't seen them and care about spoilers:







    “We cannot change the cards we are dealt, just how we play the hand.” Randy Pausch

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    This was a good movie but some of the scenes I liked weren't on youtube. I liked this one though.


    “My typology is . . . not in any sense to stick labels on people at first sight. It is not a physiognomy and not an anthropological system, but a critical psychology dealing with the organization and delimitation of psychic processes that can be shown to be typical.”​ —C.G. Jung
     
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    Hair (besides the song, i love the hippies fluttering like pigeons in the park in this sequence) @Kim because i always tag her when i post Hair videos


    and the tragic ending....


    A Clockwork Orange - Ode to joy (best clip of the scene on youtube is in french and NSFW at the end )



    can't find the whole clip of the crucifiction/finale from the Godspell movie so i'll just post the soundtrack (i love the bit at 3:10, but it builds up to that with the crucifiction before it
    Last edited by bgbg; 09-26-2017 at 12:35 PM.

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    Quote Originally Posted by bgdjf View Post
    Hair (besides the song, i love the hippies fluttering like pigeons in the park in this sequence) @Kim because i always tag her when i post Hair videos
    As you should! <3
    “Life shrinks or expands in proportion to one's courage.”
    ― Anais Nin

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    Quote Originally Posted by bgdjf View Post
    Hair (besides the song, i love the hippies fluttering like pigeons in the park in this sequence)
    Great scene and great music. I've watched the exact same scene many times. It's really powerful beyond words. Also love how it begins with the scenes from the road and landscapes. Great!
    The decisive thing is not the reality of the object, but the reality of the subjective factor, i.e. the primordial images, which in their totality represent a psychic mirror-world. It is a mirror, however, with the peculiar capacity of representing the present contents of consciousness not in their known and customary form but in a certain sense sub specie aeternitatis, somewhat as a million-year old consciousness might see them.

    (Jung on Si)

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    Sarah: Give me the child.
    Jareth: Sarah, beware. I have been generous, up until now. But I can be cruel.
    Sarah: Generous? What have you done that's generous?
    Jareth: Everything! Everything that you wanted, I have done! You asked that the child be taken - I took him. You cowered before me - I was frightening. I have reordered time, I have turned the world upside down, and I have done it all for you! I am exhausted from living up to your expectations of me. Isn't that generous?

    Sarah: Through dangers untold. And hardships unnumbered. I have fought my way here to the castle; beyond the goblin city, to take back the child that you have stolen. My will is as strong as yours, and my kingdom as great...
    Jareth: Stop! Look what I'm offering you. Your dreams.
    Sarah: My kingdom as great... my kingdom as great... damn, I can never remember that line.
    Jareth: I ask for so little. Just fear me. Love me. Do as I ask, and I shall be your slave.
    Sarah: You have no power over me!
    [echoes]
    Sarah: [the clock chimes 13:00 at that moment. Defeated, Jareth sends Sarah and Toby back to the real world where the clock finishes chiming midnight]





    Darkness: Eat!
    Lily: I'm not hungry.
    Darkness: You lie! Just to please me.
    Lily: I do nothing for your pleasure
    Darkness: All I wish, is for you to sit and talk with me.
    Lily: Sit? Here?
    Darkness: Yes. Please.
    Lily: I prefer to stand.
    Darkness: SIT! Or stand. As you wish. It is enough that we are alone together. Just the two of us. Some, ah, simple conversation.
    Lily: I have nothing to talk about. You've stolen my dreams away.
    Darkness: All things change, Lady. The dreams of youth, are the regrets of maturity. Dreams are my specialty. Through dreams I influence mankind. My dream is of eternity with you. I offer you this rose, princess. My heart, my soul, my love.
    Lily: Love?





    Faun/Pan: A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew that the Princess' soul would return, perhaps in another body, in another place, at another time. And he would wait for her, until he drew his last breath, until the world stopped turning...

    [....]

    End Scene:

    Rey: Arise, my daughter. Come.
    Ofelia: Father.
    Rey: You have spilled your own blood rather than the blood of an innocent. That was the final task and the most important.

    Pan: And you chose well, Your Highness.
    Carmen: Come here with me, and sit by your father's side. He's been waiting on you for so long.

    Pan: And it is said that the Princess returned to her father's kingdom. That she reigned there with justice and a kind heart for many centuries. That she was loved by her people. And that she left behind small traces of her time on Earth, visible only to those who know where to look.

    “My typology is . . . not in any sense to stick labels on people at first sight. It is not a physiognomy and not an anthropological system, but a critical psychology dealing with the organization and delimitation of psychic processes that can be shown to be typical.”​ —C.G. Jung
     
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    I was having problems thinking of scenes that I could pick out of context so i went with the musical edition.



    end of Master and Commander


    Max Cherry slips away with the money


    Last edited by bgbg; 09-26-2017 at 01:11 PM.

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    The Tenant (Roman Polanski, 1976)

    It's very late. A group of people have been out drinking. Now they are at an apartment.

    And a big plus for the haunting music.

    The decisive thing is not the reality of the object, but the reality of the subjective factor, i.e. the primordial images, which in their totality represent a psychic mirror-world. It is a mirror, however, with the peculiar capacity of representing the present contents of consciousness not in their known and customary form but in a certain sense sub specie aeternitatis, somewhat as a million-year old consciousness might see them.

    (Jung on Si)

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    “We cannot change the cards we are dealt, just how we play the hand.” Randy Pausch

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    Last edited by Muddy; 09-28-2017 at 09:14 PM.

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    Last edited by Raver; 10-14-2017 at 08:42 PM.
    “We cannot change the cards we are dealt, just how we play the hand.” Randy Pausch

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    Last edited by Tonatiuh; 10-14-2017 at 08:30 PM.

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    Winona Ryder being nothing but perfect




    Johnny's brightest moments

    And georgeus Helena Bonham Carter


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    “My typology is . . . not in any sense to stick labels on people at first sight. It is not a physiognomy and not an anthropological system, but a critical psychology dealing with the organization and delimitation of psychic processes that can be shown to be typical.”​ —C.G. Jung
     
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    Followed by this lovely rebuttal:


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    This is not from a movie. TV series, the absolute best TV series, sopranos.

    Tony is a SLE imo because this below clip highlights Fi PoLR as the main issue. To give a little background, Tony's uncle has lost his mind and lives in a mental hospital. As I recently wrote, Fi cognition is an internal mirror of other people's inner worlds. Fi PoLR predicts Tony won't have access to an internal mirror of Junior's inner world. As a result, Tony just assumes Junior's craziness is an exaggerated tactical maneuver and talks through him like it's not there. The scene is also good because it shows the subtle change in cognition when Tony comes into contact with Fi (right before he says "this thing of ours"). Gandolfini plays the entire scene perfect...the camera angles are brilliant too.

    Last edited by Kill4Me; 02-17-2018 at 12:04 AM.

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    “We cannot change the cards we are dealt, just how we play the hand.” Randy Pausch

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    Obviously, a lot of spoilers







    "I would rather be ashes than dust"

    "Ultimately, man should not ask what the meaning of his life is, but rather he must recognize that it is he who is asked."

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    This scene features good fictional representations for LIE-Ni 8w9 sx/sp, SLE-Ti 1w2 sp/so and LSE-Te 6w7 sx/sp.


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    Classic scene which apparently happened just the same way in real life. A good contrast between Se force and Te force. First, some background.So Te is a forceful function like Se but more intentional and reflective type of force than instinctive. Jung writes extensively on it. This intentional/instinctive distinction plays out in degrees of viciousness.

    An LSE-Te like Gordon Ramsey does not really go for the jugular unless all is lost. Rant and rave, yes, poke, pinch, and provoke, yet, but outright go for the jugular, very, very rare. The SLE in competition is constantly scratching their itch for the jugular even if it means permanently closing a door...and it doesn't matter who against. This recently occurred with Trump. Trump ran an ad that not even Fox was willing to air because of its content. Trump also broke republican strategy to go on the attack against Christine Blasey Ford. All in all, this makes it harder for republicans to bring in votes from both female and minority voters. Trump just had to go for it, though. In this clip, Hoffa (SLE-Ti) just has to go for it, though, and tell Bobby Kennedy to fuck his brother...a good example of "going for the jugular."

    Last edited by Kill4Me; 11-08-2018 at 07:35 AM.

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    "And act like you enjoy it. Men don't want to screw a corpse. You need to be more like me."
    "I'd rather be dead."

    Properly framed, the first murder committed by young Griselda (SLE-Se 8w7 sx/so) is an act of self-respect/self-reverance. In contrast, her conflictor mother (EII-Ne) represents a complete absence of self-respect and plays the game with a smile on her face. Her programming has been compromised.

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    Quote Originally Posted by Kill4Me View Post


    "And act like you enjoy it. Men don't want to screw a corpse. You need to be more like me."
    "I'd rather be dead."

    Properly framed, the first murder committed by young Griselda (SLE-Se 8w7 sx/so) is an act of self-respect/self-reverance. In contrast, her conflictor mother (EII-Ne) represents a complete absence of self-respect and plays the game with a smile on her face. Her programming has been compromised.
    Yeah its common for EII to strike their children.

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