@Gilly - Also, here is a TiSe example and a deconstruction
to compare against Hugh Laurie's deconstruction.

http://www.youtube.com/watch?v=y8IO9L4b2UM
At least up to 2:02 (because I'm short on time atm)

0:30 - Se Perk Up
0:30 - Articulator Face Push "Tiring"
0:33 - T-Face. Dispassionate & Stone-Like
0:39 - Articulator Hands, Rigid Body (Discernment Lead)
0:43 - Fe Face Push & Articulator Exacting Hands (Discernment Lead)
0:47 - Whole-Body, Whole-Face Involvement (Discernment Lead)
0:52 - Ti Momentum Halt
0:53 - Ti/Fe Stop-Start
0:54 - Compass Lead, Tense Body, Pushing to "Give Birth" to Articulation
0:57 - Ti Deadpan Face (eye neglected, blinking)
1:00 - Se Perk Up
1:06 - Ti Deadpan (eyes neglected, blinking)
1:08 - Ti Puppetteer Hands
1:08 - Fe Articulation "Moving the entire premise, all the way over" carries emotional energy and passion.
1:11 - Fe Push & Exacting Hands - "To Asia"
1:13 - Ballistic Se Eyes (between "archiological" and "rich")
1:15 - Se Eyes Lock-On
1:22 - Slight Ni Drift
1:24 - Inferior F Smile
1:34 - Inferior F Smile
1:40 - Head Shake & Rigid Body (Discernment Lead)
1:44 - Fe Nodding & Courtesy Laughter
1:47 - Ti Meticulous Hands
1:49 - Ti Meticulous Hands
1:53 - Fe Articulation "Very Humble" - said with emotion and outward-directed warmth.
1:55 - Fe Articulation "Very Exact" - said with emotion and outward-directed warmth.
1:57 - Ti Momentum Halt - ("Um") Body pauses to process.
1:59 - Ti Deadpan & Monotone Voice "Who plays, um"
2:02 - Ti Deadpan + Fe Conducting Hand

His voice overall goes meek and soft when he is in Ti Deadpan, but comes back out in moments of passionate and excited Fe. This duality is seen in all Ti dominants and not seen in Hugh Laurie. Also, when Laurie stops to think he does not go into his compass (Ti/Fi) function but rather into his worldview (in his case Ni), whereas all stops Branden makes are deadpan not Ni Drifts.

Sorry to bombard you with posts though! I'll stop and let you reply now. ^_^; ....>.>