View Poll Results: Courtney Love
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- 25. You may not vote on this poll
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ILE (ENTp)
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SEI (ISFp)
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ESE (ESFj)
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LII (INTj)
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EIE (ENFj)
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LSI (ISTj)
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SLE (ESTp)
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IEI (INFp)
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SEE (ESFp)
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ILI (INTp)
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LIE (ENTj)
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ESI (ISFj)
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LSE (ESTj)
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EII (INFj)
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IEE (ENFp)
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SLI (ISTp)
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WE'RE ALL GOING HOME
"I burn better in the dark/Don't let the light in/It's pure poison where you are/Is that me crying?/Tell me a happy ending story . . . . For every end in tragedy/I'll twist your heart out/For every evil, dumb, lazy/I'll tear the sun down/Tell me a happy ending story . . . . Oh, I swear, you're killing me, you're killing me/Oh, I swear, you're breaking me again/Oh, I swear, you're breaking me, you're haunting me/Oh, I swear, you're killing me again . . . . Is that me crying?/The stars crash down, don't let them in/Is that me dying?/Tell me a happy ending story . . . ."
Oh yeah, I forgot this:
http://www.robertchristgau.com/get_artist.php?name=Hole
"Live Through This [DGC, 1994]
Punk aesthetic or no punk aesthetic, Courtney Love's songs wouldn't be compromised and might be deepened by steeper momentum and more articulate guitar noise. But they prevail anyway. Their focus is sexual exploitation, and not just by the media, evil straights, and male predators of every cultural orientation. She's also exploited by Courtney Love, and not only does she know it, she thinks about it. These are the confessions of a self-made feminist bimbo--of the girl who wanted the most cake. Just because she's a phony, whatever that means, doesn't mean the world isn't out to deny her her props. A"
http://www.robertchristgau.com/get_a...=Courtney+Love
"America's Sweetheart [Virgin, 2004]
Her celebrity on steroids and her voice in shreds, a drug-abusing unfit mother charms, fucks, or buffalos her way into some old-fashioned major-label money, commits commercial compromise on demand, and delivers an album as invigorating in its contempt for rock professionalism as Neil Young's Tonight's the Night. If the little girls barely know who she is, good--a lifestyle irresponsibly seductive in a powerful person like Keith Richards is only pitiably misguided in this has-been waiting to happen. But she's right about one thing. The world does owe her a living. A-"
http://www.robertchristgau.com/get_artist.php?name=Hole
'Nobody's Daughter [Mercury, 2010]
Most people don't like her, and actually, I don't either. So I can't claim you owe it to yourself to enjoy Courtney Love's much-delayed first-album-since-2004. Nor even that these songs cast a revealing light of her scabrous persona--beyond "Pacific Coast Highway" ("I'm overwhelmed and undersexed") and "Never Go Hungry" ("I don't care what I have to pretend"), they're typical wails of punk-schooled rage from "Skinny Little Bitch" to "Letter to God." Thing is, I can use some new punk rage in my life, and unless you're a fan of Goldman Sachs and BP Petroleum, so can you. What's more, better it come from a 45-year-old woman who knows how to throw her weight around than from the zitty newbies and tattooed road dogs who churn most of it out these days. I know--for her, BP Petroleum is just something else to pretend about. But the emotion fueling her pretense is cathartic nevertheless. A-'
Last edited by HERO; 07-10-2020 at 04:40 AM.
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WE'RE ALL GOING HOME
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