For Hamlet the world human experience, feelings and emotions? It not only sphere of its interests and supervision,
it first of all its "workshop" and "laboratory". Here it also creates and investigates.
To investigate soul of the person, to see a source of its pain and sufferings, to show depth of its experiences, to understand ethical motives of its acts in all of them a seeming contradiction? In it Hamlet sees the applicability, for this purpose it was born, to these it, as a matter of fact, is engaged
all life irrespective of the fact which area of professional work for itself has selected.
From its acquaintances entering into a circle it will not bypass anybody the " emotional influence ": to whom shutochkoj, to whom a sharp mot, to whom draw to whom thin irony, to any will show its shower as in a mirror. Any will involve in "theatre"? In the " ethical game ", in "workshop-laboratory".
To object of the jokes Hamlet often addresses with tender irony and the indulgent superiority as though it now is somewhere above it, in any other world, there, where all absurd and absurdity of behaviour of the next victim of its attention is especially visible to it. Shutochki Hamlet? It some kind of " korovevskie shutochki ", it "volandovsko-ìåôèñòîôåëüñêèå" jokes.
(" Daniel, here I to you!!!..? Was frightened?!? Meal has left. If you do not sing, I then!!!...? Was frightened?!? I shall eat it. Also try to not take milk only? I shall feed to dogs!!!..? Was frightened?!? Yes not you, and milk!.. ")
To create oppressive intense conditions for Hamlet so naturally, what it can do it, being practically in any mood? Willows good, both in bad; and with boredom, and from there is nothing to do. Enough the most insignificant occasion and at it suddenly whence appear also metal notki in a voice, and rigid intonations, and chekannaja diction, and a heavy steadfast sight, and the sustained pauses (during which it considers continuation of "monologue").
Around of each person Hamlet creates a certain emotional field which at own discretion "charges" that positively negatively, constantly expressing the attitude to ethical qualities of the person, and not as the personal impression and as the certain general, already developed opinion in which it personally would be and is glad to doubt. As this all is presented in the form of thin hints and
accompanied by the most expressive mimicry, the person at once feels intrigued and is imperceptible for itself falls under the strongest emotional influence, becoming an obedient puppet which such benevolent interlocutor pulls for verevochki this, apparently.
Difficultly enough happens in time to come round and leave from under this "fascinating" influence?
Hamlet there and then plays such insult, such disappointment and a regret, that to the person it becomes awkward for the "tactless" behaviour and anything else would not remain how voluntary to give in to rendered pressure.
Filling on itself that intentionally indifferent, mysterious a sad kind, Hamlet tries to pay attention and intrigue everyone who only can see it now.
Subconsciously Hamlet uses any opportunity to find to itself suitable objects of emotional influence, most ideal of which is it dual Maxim, more all requiring in dialogue of such style and character.
Most of all irritates Hamlet absence of interest to its "theatre", the going unwillingness to become in its performance by "character" or even "spectator". Impenetrable " indifference and indifference to its ethical game? The only thing before what Hamlet is powerless, and it just of what it most of all is afraid. It is guarded especially with people whom, that refers to, " to themselves on mind " (though it is difficult to be more " to itself on mind ", than Hamlet).
Any of representatives of this type irrespective of age and occupations superb owns the a mimicry, a voice, intonation and owing to this quality does with the interlocutor everything, that wants, receiving from it a maximum of the information necessary to it. It is necessary to it to want only, and it weakens the person, causes it on frankness and inspires it everything, that to it will take in head Sometimes, on the contrary, holds down the interlocutor fear and a pressure literally, completely subordinates to the will, forces to trust in itself completely.
Hamlet? The director of human emotions, the director of moods to Any person Hamlet "will set" that mood which Hamlet Emotional "direction" always considers it necessary to set is set only from reasons of its interests, its calculations, its fears, its suspicions and assumptions.
Many representatives of this type become the most outstanding actors, directors, poets and musicians of time. While Hamlet has a public, its inspiration is inexhaustible.
is like a wet kiss on the cheek and a warm hug by a cute smiling girl.
is the confetti shots on your birthday party with all your friends.
is a way to completely rip apart the face of god and stare directly at the naked universe.
is like over here and then over there and they are all connected and I am on amphetamine.
).
Originally Posted by Transigent
thing, no?
and I replied with many "
"
I like Betas. Which one I would be INTj or ENTp or something in between? Fi PoLR? Se PoLR? blaaah...how could that be
, LIE, ENTj logical subtype, 8w9 sx/sp
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