I love Klaus Kinski. Of course, he is not the healthiest example of sx/so...
That was an amazing performance.Originally Posted by Olimpia
She turned an Sx/Sp song into Sx/So...
･ﾟ*✧ 𝓘 𝓌𝒾𝓁𝓁 𝓃𝑜𝓉 𝒶𝒸𝒸𝑒𝓅𝓉 𝒶 𝓁𝒾𝒻𝑒 𝓘 𝒹𝑜 𝓃𝑜𝓉 𝒹𝑒𝓈𝑒𝓇𝓋𝑒 ✧*:･ﾟ
oh, please no
okay, maybe she's LIE, and maybe she's not...(a lot of people say ILE..?) but she definitely seems sx/so, to me
-c
Destroying racism and fascism while feeling yourself.
Yah, she's like the second coming of Lindsay Lohan.
Bella Thorne seems sp/sx. Maybe a 3? with a secondary 8 fix. Shes really unlikeable. Only a social last would be ok with being that unliked and continuing it. also she has bad social skills judging from interviews. Her sense of superiority is unmistakable and its to the point where people dislike her. Which is 3. This is why 3 integrates to 6.. and starts seeing people equally to themselves. It's like in every teen movie about a bitchy popular girl, then there's some problem and at the end she's doing things for charity or whatever, and is kind to everyone no matter what their status is.
Kanye west is another sp/sx 3, unlikeable af. There are likeable ones though. Like sasha grey
Last edited by maniac; 01-13-2018 at 09:25 PM.
https://en.wikipedia.org/wiki/Tilda_Swinton
https://www.theguardian.com/film/201...-we-need-kevin
I am guessing sx/so or sx/sp
+++Exclusive footage+++Documentary of Chae's life+++Leaving a chaos behind with every step+++
When the 3 SX/SO (or SO/SX) backfires and you need a 6
Last edited by Chae; 01-18-2018 at 10:45 PM.
Gary Yourofsky - sx/so ESI
jesus - sx/so
ewwww...his wanting rape and murder to happen and torture and killing. smh. for fuck's sake, dude, be consistent.
I DISAGREE with your violence, Dualman. hahaha
Premeditating killing of someone because they killed someone = capital punishment is one of the largest wastes of human capital and greatest hypocrisies of humanity.
Yes, I know he's just talking about his hopefully past desires. He was sloppy as hell about it
sx/so the sx-subtype 9w8
sx/so 6w5
7w8
sx/so inversion of My Bloody Valentine, darker and more aggressive
e9
Sirens are an Sx/So archetype. They lure somebody else (SX first) collectively (SO secondary) into abandoning their comfort zone or even shipwreck and death (SP last). You can see how mating SX in senseless overdrive becomes dangerous at the expense of SP, while there's nothing wrong with the social component. The siren's obsession with SX denies SP as in the song from the video clip. Financial support is not desired from the man - distinguishing the mermaid from the typical trope of sailor's prostitutes also - only sex and/or romance:
Combined with the eventual attack on the ship, SX desire and power of the sirens becomes the men's downfall.My heart is pierced by Cupid
I disdain all glittering gold
There is nothing can console me
But my jolly sailor bold.
My name it is Maria
A merchant's daughter fair
And I have left my parents
And three thousand pounds a year
Come all you pretty fair maids
Whoever you may be
Who love a jolly sailor
That plows the raging sea
While up aloft in storm
From me his absence mourn
And firmly pray arrive the day
He's never more to roam.
In Germany we talk about the similar myth of "Loreley" often, a woman sitting on a cliff that gets the attention of sailors through her singing and charm - and they crash tragically because they didn't mind their course. There is an actual place where this cliff exists. The theory is of course that people had to invent a reason why this cliff created actual accidents, or maybe somebody misunderstood the name once - "Ley" originially meant rock, "Lore" means to peer. As the sailor peers at the rock, they do not notice the currents and curve of the river as you can see here, the Loreley cliff is on the right:
Coming up with an analogy of fatal female sexuality is convenient to the Sx/So theme, and since it has strong SO it is fairly known still. I think we see 3w2 and 6w5 interacting here, Sexual 3w2 is deceptive-seductive, 6w5 troubleshoots with a rational mind that is not easily swayed, i.e. the only way to escape the siren chants. Odysseus is one of these 6w5s in mythology who defied the sirens thanks to his SP-secondary. I think his TIM is LIE. He acted quickly with the idea of stuffing the sailor's ears with wax, predicting the danger. He himself was motivated by a strong SX drive himself, wanting and thus long planning to see his wife again even after all those years (also: suggestive to,
creative). It shows the long-term loyalty of 6 that deflects 3's temporary onslaught of charm.
Interestingly enough, Odysseus let others strap him to the mast so he could hear the chants but not move, likely out of sheer curiosity and thrill (SX) restricted by SP. Like that he would come to enjoy the chants but not the detriment of SP.
As with Loreley I see a covert theme here, this myth could be an analogy to infidelity and the sirens are a proxy for actual women now. It's quite a polarizing myth and comes to show how SX/SO creatures are quite a popular way in mythology to give metaphors to SP threats. In our examples here: the well-being of the sailors, Odysseus arriving safely in Ithaca.
Depictions that I became interested in recently and I still try to decipher culturally are those with a lesbian connotation. The meaning is ambiguous since we don't know if the waves are dangerous here, or it is the allure of the sirens themselves that could get the woman into trouble for whatever reason. Though I later saw the subtitle reads "Invitation into the Unknown" so it might be about trying something new in terms of sexuality:
L'appel des sirenes / Call of the Sirens - Burrel, 1915
The protagonist in one of my story drafts/beginnings was actually called Lorelei and Sx/So, with the desire for a revolution. She got put into an asylum where she tried to gather a group of revolutionaries, and she'd fall for/seduce the head psychiatrist, so to speak... I put the poem of Loreley by Herman Hesse in the prologue.
Sirens are an Sx/So archetype. They lure somebody else (SX first) collectively (SO secondary) into abandoning their comfort zone or even shipwreck and death (SP last). You can see how mating SX in senseless overdrive becomes dangerous at the expense of SP, while there's nothing wrong with the social component. The siren's obsession with SX denies SP as in the song from the video clip. Financial support is not desired from the man - distinguishing the mermaid from the typical trope of sailor's prostitutes also - only sex and/or romance:
Combined with the eventual attack on the ship, SX desire and power of the sirens becomes the men's downfall.
In Germany we talk about the similar myth of "Loreley" often, a woman sitting on a cliff that gets the attention of sailors through her singing and charm - and they crash tragically because they didn't mind their course. There is an actual place where this cliff exists. The theory is of course that people had to invent a reason why this cliff created actual accidents, or maybe somebody misunderstood the name once - "Ley" originially meant rock, "Lore" means to peer. As the sailor peers at the rock, they do not notice the currents and curve of the river as you can see here, the Loreley cliff is on the right:
Coming up with an analogy of fatal female sexuality is convenient to the Sx/So theme, and since it has strong SO it is fairly known still. I think we see 3w2 and 6w5 interacting here, Sexual 3w2 is deceptive-seductive, 6w5 troubleshoots with a rational mind that is not easily swayed, i.e. the only way to escape the siren chants. Odysseus is one of these 6w5s in mythology who defied the sirens thanks to his SP-secondary. I think his TIM is LIE. He acted quickly with the idea of stuffing the sailor's ears with wax, predicting the danger. He himself was motivated by a strong SX drive himself, wanting and thus long planning to see his wife again even after all those years (also: suggestive to
Interestingly enough, Odysseus let others strap him to the mast so he could hear the chants but not move, likely out of sheer curiosity and thrill (SX) restricted by SP. Like that he would come to enjoy the chants but not the detriment of SP.
As with Loreley I see a covert theme here, this myth could be an analogy to infidelity and the sirens are a proxy for actual women now. It's quite a polarizing myth and comes to show how SX/SO creatures are quite a popular way in mythology to give metaphors to SP threats. In our examples here: the well-being of the sailors, Odysseus arriving safely in Ithaca.
Depictions that I became interested in recently and I still try to decipher culturally are those with a lesbian connotation. The meaning is ambiguous since we don't know if the waves are dangerous here, or it is the allure of the sirens themselves that could get the woman into trouble for whatever reason. Though I later saw the subtitle reads "Invitation into the Unknown" so it might be about trying something new in terms of sexuality:
L'appel des sirenes / Call of the Sirens - Burrel, 1915
So it was nice to see your elaborate take on the Siren archetype.
Ohh nice - Hesse, too! The Beta is going strong there. Reminds me of Sucker Punch when we talk about asylums and female character revolution. Did you publish it somewhere, I might have missed it?The protagonist in one of my story drafts/beginnings was actually called Lorelei and Sx/So, with the desire for a revolution. She got put into an asylum where she tried to gather a group of revolutionaries, and she'd fall for/seduce the head psychiatrist, so to speak... I put the poem of Loreley by Herman Hesse in the prologue.
So it was nice to see your elaborate take on the Siren archetype.
Thanks, I hope you enjoyed the analysis
Lol
"Sx/soc: My impression of their writing is "fire-and-ice", as if one is to experience the extremes of heat and coldness at the same time. Often abstract, spilling one inner vision after another like a dream-sequence. Seems particularly in touch with the core meaning of life and death."
http://www.the16types.info/vbulletin...ction-of-Notes
Some of that SX/SO "fire-and-ice":
"And you have never yet been able to cast your spirit into a pit of snow: you are not hot enough for that. Hence you also do not know the ecstasies of its coldness.
In all things, however, you act too familiarly with the spirit, and you have often made wisdom into a poor-house and a hospital for bad poets.
You are no eagles: hence you have never experienced the happiness that is in the terror of the spirit. And he who is not a bird should not build his nest over abysses.
You are lukewarm to me, but all profound knowledge flows cold. Ice cold are the inmost wells of the spirit: refreshing for hot hands and men of action. You stand there honorable and stiff and with straight backs, you famous wise men: no strong wind and will drives you.
Have you never seen a sail go over the sea, rounded and taut and trembling with the violence of the wind? Like the sail, trembling with the violence of the spirit, my wisdom goes over the sea — my wild wisdom.
― Nietzsche, Thus Spoke Zarathustra
http://www.watchtheyard.com/deltas/j...-white-member/ mebbe...seemed intense and socially adept
NSFW
I pictured a rainbow
You held it in your hands
I had flashes
But you saw the plan
I wandered out in the world for years
While you just stayed in your room
I saw the crescent
You saw the whole of the moon
You were there in the turnstiles
With the wind at your heels
You stretched for the stars
And you know how it feels
To reach too high
Too far
Too soon
You saw the whole of the moon
I was grounded
While you filled the skies
I was dumbfounded by truth
You cut through lies
I saw the rain dirty valley
You saw Brigadoon
I saw the crescent
You saw the whole of the moon
I spoke about wings
You just flew
I wondered I guessed and I tried
You just knew
I sighed
... But you swooned!
I saw the crescent
You saw the whole of the moon
With a torch in your pocket
And the wind at your heels
You climbed on the ladder
And you know how it feels
To get too high
Too far too soon
You saw the whole of the moon
The whole of the moon!
Unicorns and cannonballs
Palaces and piers
Trumpets towers and tenements
Wide oceans full of tears
Flags rags ferryboats
Scimitars and scarves
Every precious dream and vision
Underneath the stars
You climbed on the ladder
With the wind in your sails
You came like comet
Blazing your trail
Too high too far too soon
You saw the whole of the moon
The stereotypical sx/so would take multiple partners but expect complete loyalty from them, like a polygamous marriage.
Muhammad might have been an sx/so 1.
Also strong SOC
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