Yesenin very easily knows how to tune in to the interlocutor, to feel him. And if for some reason he doesn’t make contact, it always alarming him: Yesenin starts thinking about why he is “not allowed” for such reasons, perhaps this person is not as simple as it seems, or may even be dangerous (his “negative intuition of time "- the desire to escape from danger).
Exposing the emotional evaluation of the ethical qualities of others, Yesenin does it according to his mood: being in a good mood, he admires those who like him, in a bad mood - he “washes the bones” with everything else. In a state of irritation, he has an overwhelming desire to say face-to-face the most absurd and unpleasant things.
Periodically, Yesenin may manifest himself as an instigator of conflicts — the method he needs to ascertain his own position in the system of relations.
The whole diverse range of feelings and moods of Yesenin is not only his “artistic palette”, it is also his “toolkit” and his “armory”.
Yesenin is confident in his charisma, in his attractiveness, in the arsenal of his very cute and pretty masks, which he uses superbly. And these are not external masks: any of them is, as it were, a peculiar state of his soul.