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Thread: Your Favorite Story?

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    meme hotline Chae's Avatar
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    Default Your Favorite Story?

    I'd loooove to hear what your favorite fictional story is Call me cheesy, I think that stories make everything better.

    It can be any kind of narration. It would be awesome if you could add plot descriptions, put them in spoilers. Also, can you elaborate why you can relate to it? I look forward to your contributions



    My story is: "The Gingerbread Girl" by Stephen King.


     
    I identified strongly with Emily in her emotional and transcendental physical struggle to overcome her past & adversary, all while finding herself in the process. I went through a period of bodily damage and excessive running in my early teens as well, the parallels seemed uncanny when I first read it. The message of "strong from the inside out" and "coping through combat (with oneself and a threat)" resonated with me. The dramatic build and the one-on-one female prey beats male hunter scenario was intriguing, too. The moral of that being, don't be a damsel in distress and mobilize power on your own, trust your skill and gut feeling, intellect tops brutality. I felt that part of the story healed me in some way.

    I'm not entirely sure about this, but it might be a classic EIE vs SLI conflictor showdown OR some intraquadric Beta NF/ST dynamic.

    Plot summary:

    After her only daughter Amy suffers a crib death, Emily takes up running as a way to deal with her pain. She believes that "only fast running will do"—she pushes her body to its limits, often vomiting and sweating profusely. Her husband, Henry, finds out about this
    habit, and treats it as a psychological reaction to grief. Emily is hurt and runs out of the house, down to a local Holiday Inn. She contacts her father and explains her situation; after their conversation, Emily decides to stay in her father's summer home, near Naples, Florida. She also speaks with Henry, and the two agree that a trial separation is a good idea.

    Emily's life becomes quite simple. She eats plain meals and runs for miles every day. As her body shrinks, she gets to know the few people that hover around the island; Vermillion Key
    ismostly devoid of tourists. The only person Emily regularly visits is Deke Hollis, an old friend of her father who runs the drawbridge on the island. During a chance meeting, Hollis tells Emily that Jim Pickering, one of the men who owns a home on the island, is back. He has brought along a "niece"—Hollis's polite name for the young women Pickering lures to his home. Emily prepares to continue, but Hollis warns her that Pickering is "not a very nice man."

    As Emily continues her daily run, she notices a shiny red car outside a home along the beach that she deduces belongs to Pickering. When Emily approaches the car and discovers a woman whose throat has been slashed, she is knocked unconscious. She wakes up to find herself inside Pickering's house and confined on a kitchen chair with duct tape. Emily realizes that Pickering is insane, and hints that she let someone know where she was going. When Pickering presses her for details, Emily blurts out Deke Hollis's name; Pickering leaves, presumably to murder the old man.

    Emily knows that she does not have much time, and hears her father's voice in her head, giving her advice. She uses her strong legs to splinter the duct tape and free her lower body. She looks for a knife to release her arms, but settles on the corner of the island in the middle of the kitchen. Now freed, Emily attacks Pickering when he returns. After temporarily knocking him out, Emily escapes from his house and makes it to the beach. She hears Pickering behind her, and realizes, in a rather odd coincidence, that she has been "training" for this moment.
    Though exhausted from her imprisonment, Emily's months of running serve her well. She keeps well ahead of Pickering, who is now armed with scissors. She encounters a young Latino man on the beach and begs for help, but he does not understand her cries. Pickering appears and tries to use Spanish to convince the man that Emily is with him, but Emily's fearful expression convinces the young man otherwise. He pushes Emily behind him; incensed, Pickering brutally slaughters the man with the scissors.

    Emily, tiring quickly, runs into the ocean. Pickering follows her, but begins to flounder. Emily gasps as she figures out what is happening—Pickering cannot swim. Emily manages to escape him, and sits on the shoreline to watch as Pickering drowns. When he finally goes under, Emily tells herself that a shark or some other creature attacked him. She wonders why, and guesses that it is a part of the human condition. Her long ordeal over, Emily stands and shouts at the birds flying about, and prepares to go home.

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    Enlightened Hedonist
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    Jonathan Strange & Mr Norrell was a book I found especially engrossing and took an inordinate time to read, making sure to savour every page. It presents itself as a factual account of a period in the history of magic in England, and even includes extensive footnotes that perhaps aren't necessary to understanding the main story and would annoy many readers but they totally add to the character of the book. It bigs up The North of England, with Yorkshire featuring prominently, which undoubtedly elevates its significance to me, in addition to its historical setting. The scholarly tone and idiomatic spellings and expressions was also a great part of its charm.

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    Quote Originally Posted by Blue View Post
    I saw previews for the miniseries and thought it looked pretty awesome, subteigh. I've had that on my to-read list for a while, but have been kind of hesitant to read it because of similar reasons as you stated from reviews I had read. I think I'm going to have to read that one soon, though...


    Have you seen the tv show? If so, how did you feel it compared to the book?
    If I had seen the TV show first, I would have considered it exceptional. I think it is a faithful representation of it, and thought it was very good (good cast, good production, a faithful representation...and well balanced considering the limits of time constraints). I would say if you have the book already, try reading the first chapter and see what you think. Otherwise, I think it would be perfectly satisfactory to watch the series and then decide whether to then go and read it.

    One thing with the book version: I believe in digital form, the notes are removed from the text so you have to click the reference link [1] etc. to be taken to the note, whereas in 3D form, the notes are at the bottom of the relevant page. That might not seem significant to many people, but it changes the feel of the book I think .

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    Quote Originally Posted by Blue View Post
    I have To the Lighthouse on my favorites list.

    I haven't read Orlando yet... I keep hearing it's better.... the last book of Woolfs I tried was The Waves and I didn't get very far. I just wasn't in the right frame of mind at the time, I think. I love her writing and can relate to her, but I can't read anything by Woolf unless it's very quiet with no distractions. I find her the most difficult writer to read out of anyone I've read so far, and that's the main reason why I don't find her as enjoyable as others.
    The Waves is pure poetry to me. it's very much a book I think where can just find any random page and start reading and enjoying it, without worrying about the plot.

    Quote Originally Posted by Blue View Post
    As far as classic novels go, Tess of the d'Urbervilles is probably my favorite out of all the books I've read. People say Hardy is depressing, but I feel like it's honest and real, and that's what I like about Hardy. Maybe also Rebecca, but I don't think the experience would be as good as the first time around since I already know what's going on now...

    These books don't excite me and make me want to go without eating or sleeping like the books I previously posted, though.
    Hardy is pretty depressing, yes. I know exactly what you mean by "honest and real" of course, but his novels can be rather fanciful. The one novel I probably dislike of his is Jude The Obscure, while considering Return of the Native being a little special.

    I've been speed-reading a lot of books recently in order to find books to read more competitively at a later date, and have thought that Dostoyevsky has a decent back catalogue beyond his more famous works, and that Daniel Deronda by George Eliot is of a high standard although not superior to Middlemarch. I certainly prefer Eliot her to Hardy, and she is also someone who keeps it "real" etc. . but I don't find her stuff so overly downbeat, which is more in tune with my sensibility.

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    Oh, well.



    ...I don't have any short stories that I like considerably more than all the others I've read.


    But there's one, very trite, incredibly brief story, that has stood the test of time, and has proven to be more memorable than all of the others, for me.

    And I don't even like the author. Or content. Or style.



    Nevertheless -- I think it's the closest thing I have to a "favourite story".



    http://www.galactanet.com/oneoff/theegg_mod.html

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    "The Count of Monte Christo"- classic

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