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Thread: Chris Marker (Filmmaker)

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    Default Chris Marker (Filmmaker)

    Ni-Base/HA?






    Last edited by suedehead; 08-31-2014 at 03:43 PM.

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    "What I'm passionate about is History, and politics interest me only insofar as it is the cross-section of History in the present."

    "I chose a pseudonym, Chris Marker, pronounceable in most languages, because I was very intent on traveling."

    "Rarely has reality needed so much to be imagined."

    "I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?"

    "Who said that time heals all wounds? It would be better to say that time heals everything - except wounds. With time, the hurt of separation loses its real limits. With time, the desired body will soon disappear, and if the desiring body has already ceased to exist for the other, then what remains is a wound, disembodied."

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    "In our moments of megalomaniacal reverie, we tend to see our memory as a kind of history book: we have won and lost battles, discovered empires and abandoned them. At the very least we are the characters of an epic novel (“Quel roman que ma vie!” said Napoleon). A more modest and perhaps more fruitful approach might be to consider the fragments of memory in terms of geography.1 In every life we would find continents, islands, deserts, swamps, overpopulated territories and terrae incognitae. We could draw the map of such a memory and extract images from it with greater ease (and truthfulness) than from tales and legends. That the subject of this memory should be a photographer and a filmmaker does not mean that his memory is essentially more interesting than that of the next man (or the next woman), but only that he has left traces with which one can work, contours to draw up his maps.

    Imagine hundreds of photographs which for the most part have never been shown (William Klein says that, at the speed of 1/50th of a second per shot, the complete work of the most famous photographer lasts less than three minutes). Imagine “cuts” that a film leaves behind like comets’ tails. From every country visited I’ve brought back postcards, newspaper clippings, catalogues, sometimes posters torn off the walls. My idea was to immerse myself in this maelstrom of images to establish its Geography.


    My working hunch was that any memory, once it’s fairly long, is more structured than it seems. That after a certain quantity, photos apparently taken by chance, postcards chosen according to a passing mood, begin to trace an itinerary, to map the imaginary country that stretches out before us. By going through it systematically I was sure to discover that the apparent disorder of my imagery concealed a chart, as in the tales of pirates. And the object of this disc would be to present the “guided tour” of a memory, while at the same time offering the visitor a chance for haphazard navigation. So, Welcome to “Memory, Land of Contrasts” – or rather, as I’ve chosen to call it, Immemory."

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