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  1. #81
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    Quote Originally Posted by Agni View Post
    To His Coy Mistress


    --- ANDREW MARVELL

    Had we but world enough and time,
    This coyness, lady, were no crime.
    We would sit down, and think which way
    To walk, and pass our long love’s day.
    Thou by the Indian Ganges’ side
    Shouldst rubies find; I by the tide
    Of Humber would complain. I would
    Love you ten years before the flood,
    And you should, if you please, refuse
    Till the conversion of the Jews.
    My vegetable love should grow
    Vaster than empires and more slow;
    An hundred years should go to praise
    Thine eyes, and on thy forehead gaze;
    Two hundred to adore each breast,
    But thirty thousand to the rest;
    An age at least to every part,
    And the last age should show your heart.
    For, lady, you deserve this state,
    Nor would I love at lower rate.
    But at my back I always hear
    Time’s wingèd chariot hurrying near;
    And yonder all before us lie
    Deserts of vast eternity.
    Thy beauty shall no more be found;
    Nor, in thy marble vault, shall sound
    My echoing song; then worms shall try
    That long-preserved virginity,
    And your quaint honour turn to dust,
    And into ashes all my lust;
    The grave’s a fine and private place,
    But none, I think, do there embrace.
    Now therefore, while the youthful hue
    Sits on thy skin like morning dew,
    And while thy willing soul transpires
    At every pore with instant fires,
    Now let us sport us while we may,
    And now, like amorous birds of prey,
    Rather at once our time devour
    Than languish in his slow-chapped power.
    Let us roll all our strength and all
    Our sweetness up into one ball,
    And tear our pleasures with rough strife
    Through the iron gates of life:
    Thus, though we cannot make our sun
    Stand still, yet we will make him run.

    I had to study this poem at school.

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    The Mouse

    ---w.d. snodgrass


    I remember one evening-we were small-
    Playing outdoors, we found a mouse,
    A dusty little gray one, lying
    By the side steps. Afraid he might be dead,
    We carried him all around the house
    On a piece of tinfoil, Crying.

    Ridiculous children; we could bawl
    Our eyes out about nothing. Still,
    How much violence had we seen?
    They teach you-quick-you have to be well-bred
    In all events. We can't all win.
    Don't whine to get your will.

    We live with some things, after all,
    Bitterer than dying, cold as hate:
    The old insatiable loves,
    That vague desire that keeps watch overhead,
    Polite, wakeful as a cat,
    To tease us with our lives;

    That pats at you, wants to see you crawl
    Some, then picks you back alive;
    That needs you just a little hurt.
    The mind goes blank, then the eyes. Weak with dread,
    In shock, the breath comes short;
    We go about our lives.

    And then the little animal
    Plays out; the dulled heart year by year
    Turns from its own needs, forgets its grief.
    Asthmatic, timid, twenty-five, unwed-
    The day we left you by your grave,
    I wouldn't spare one tear.

  3. #83
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    Some People
    by Wendy Cope


    Some people like sex more than others -
    You seem to like it a lot.
    There's nothing wrong with being innocent or high minded

    But I'm glad you're not.

  4. #84
    Feeling fucking fantastic golden's Avatar
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    I was given a giant collection of poetry etc. by Roberto Bolaño, The Unknown University. There's so much material it's hard to choose, but as I take it in, I'll probably post a few things.

    Tallers Street

    The girl undressed a strange room
    a strange refrigerator some
    hideous curtains and Spanish pop music
    (My god, he thought) and she wore stockings
    clipped to black garters and it was 11:30
    at night good for smiling he
    hadn't completely given up on
    poetry a fuck buddy pretty paintings
    poorly framed and hung just
    to fill space the girl said careful
    put your chubby in slow she took off her beret
    they leave yesterday he said applauded the pure
    sword fight and your garter belt a double feature


    La Calle Tallers

    La muchacha se desnudó un cuarto extraño
    un refrigerador extraño unas cortinas
    de muy mal gusto y música popular española
    (Dios mío, pensó) ye llevaba medias
    sujetas con ligas negras y eran las 11.30
    de la noche bueno para sonreír él
    no había abandonado del todo
    la poesía un ligue callejero cuadros bonitos
    pero mal enmarcados y puestos por simple
    acumulación la muchchcha dijo cuidado
    métemelo depacio el rojo se sacó la boina
    se marchan ayer dijo aplaudió la pura
    esgrima y tu liguiero dos cines

  5. #85
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    Figs

    -- d.h. lawrence


    The proper way to eat a fig, in society,
    Is to split it in four, holding it by the stump,
    And open it, so that it is a glittering, rosy, moist, honied, heavy-petalled four-petalled flower.
    Then you throw away the skin
    Which is just like a four-sepalled calyx,
    After you have taken off the blossom, with your lips.
    But the vulgar way
    Is just to put your mouth to the crack, and take out the flesh in one bite.
    Every fruit has its secret.
    The fig is a very secretive fruit.
    As you see it standing growing, you feel at once it is symbolic :
    And it seems male.
    But when you come to know it better, you agree with the Romans, it is female.
    The Italians vulgarly say, it stands for the female part ; the fig-fruit :
    The fissure, the yoni,
    The wonderful moist conductivity towards the centre.
    Involved,
    Inturned,
    The flowering all inward and womb-fibrilled ;
    And but one orifice.
    The fig, the horse-shoe, the squash-blossom.
    Symbols.
    There was a flower that flowered inward, womb-ward ;
    Now there is a fruit like a ripe womb.
    It was always a secret.
    That’s how it should be, the female should always be secret.
    There never was any standing aloft and unfolded on a bough
    Like other flowers, in a revelation of petals ;
    Silver-pink peach, venetian green glass of medlars and sorb-apples,
    Shallow wine-cups on short, bulging stems
    Openly pledging heaven :
    Here’s to the thorn in flower ! Here is to Utterance !
    The brave, adventurous rosaceæ.
    Folded upon itself, and secret unutterable,
    And milky-sapped, sap that curdles milk and makes ricotta,
    Sap that smells strange on your fingers, that even goats won’t taste it ;
    Folded upon itself, enclosed like any Mohammedan woman,
    Its nakedness all within-walls, its flowering forever unseen,
    One small way of access only, and this close-curtained from the light ;
    Fig, fruit of the female mystery, covert and inward,
    Mediterranean fruit, with your covert nakedness,
    Where everything happens invisible, flowering and fertilization, and fruiting
    In the inwardness of your you, that eye will never see
    Till it’s finished, and you’re over-ripe, and you burst to give up your ghost.
    Till the drop of ripeness exudes,
    And the year is over.
    And then the fig has kept her secret long enough.
    So it explodes, and you see through the fissure the scarlet.
    And the fig is finished, the year is over.
    That’s how the fig dies, showing her crimson through the purple slit
    Like a wound, the exposure of her secret, on the open day.
    Like a prostitute, the bursten fig, making a show of her secret.
    That’s how women die too.
    The year is fallen over-ripe,
    The year of our women.
    The year of our women is fallen over-ripe.
    The secret is laid bare.
    And rottenness soon sets in.
    The year of our women is fallen over-ripe.
    When Eve once knew in her mind that she was naked
    She quickly sewed fig-leaves, and sewed the same for the man.
    She’d been naked all her days before,
    But till then, till that apple of knowledge, she hadn’t had the fact on her mind.
    She got the fact on her mind, and quickly sewed fig-leaves.
    And women have been sewing ever since.
    But now they stitch to adorn the bursten fig, not to cover it.
    They have their nakedness more than ever on their mind,
    And they won’t let us forget it.
    Now, the secret
    Becomes an affirmation through moist, scarlet lips
    That laugh at the Lord’s indignation.
    What then, good Lord ! cry the women.
    We have kept our secret long enough.
    We are a ripe fig.
    Let us burst into affirmation.
    They forget, ripe figs won’t keep.
    Ripe figs won’t keep.
    Honey-white figs of the north, black figs with scarlet inside, of the south.
    Ripe figs won’t keep, won’t keep in any clime.
    What then, when women the world over have all bursten into affirmation ?
    And bursten figs won’t keep ?

  6. #86
    Glorious Member mu4's Avatar
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    Quote Originally Posted by Starfall View Post
    Flesh is heretic.
    My body is a witch.
    I am burning it.

    Yes I am torching
    ber curves and paps and wiles.
    They scorch in my self denials.

    How she meshed my head
    in the half-truths
    of her fevers

    till I renounced
    milk and honey
    and the taste of lunch.

    I vomited
    her hungers.
    Now the bitch is burning.

    I am starved and curveless.
    I am skin and bone.
    She has learned her lesson.

    Thin as a rib
    I turn in sleep.
    My dreams probe

    a claustrophobia
    a sensuous enclosure.
    How warm it was and wide

    once by a warm drum,
    once by the song of his breath
    and in his sleeping side.

    Only a little more,
    only a few more days
    sinless, foodless,

    I will slip
    back into him again
    as if I had never been away.

    Caged so
    I will grow
    angular and holy

    past pain,
    keeping his heart
    such company

    as will make me forget
    in a small space
    the fall

    into forked dark,
    into python needs
    heaving to hips and breasts
    and lips and heat
    and sweat and fat and greed.
    So just listened to this because of this poem


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    This is another poem l'll probably modestly delete if nobody likes it. Sadly I forgot the name of the author.


    It

    Sometimes we fit together like the creamy
    speckled three-section body of the banana, that
    joke fruit, as sex was a joke when we were kids,
    and sometimes it is like a jagged blue comb of glass across
    my skin,
    and sometimes you have me bent over as thick paper can be
    folded, on the rug in the center of the room
    far from the soft bed, my knuckles pressed against the grit in the grain of the rug’s
    braiding where they
    laid the rags tight and sewed them together,
    my ass in the air like a lily with a wound on it
    and I feel you going down into me as
    if my own tongue is your cock sticking
    out of my mouth like a stamen, the making and
    breaking of the world at the same moment,
    and sometimes it is sweet as the children we had
    thought were dead being brought to shore in the
    narrow boats, boatload after boatload.
    Always I am stunned to remember it,
    as if I have been to Saturn or the bottom of a trench in the
    sea floor, I
    sit on my bed the next day with my mouth open and think of it.


    —-
    Last edited by Amber; 10-29-2014 at 05:16 AM.

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    Sharon Olds

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    Blood and Guts in High school

    - Kathy Acker


    I didn’t want anyone to notice me ‘cause I was blind so I crawled under the splinters
    of the bar. The music stopped. A lot of feet passed by. Some of them by accident kicked me.
    One kicked me too hard.
    “Do you want to fuck me, scumbag?” President Carter said to me.
    “I can’t fuck.”
    “You’ve got syphilis?”
    “I’ve got cancer.”
    “Gee.” He put his arms around me and kissed me.
    I USED TO BE UNHAPPY
    OH YES
    I LIVED IN THE CORNER OF A ROOM
    THEN YOU CAME ALONG AND FUCKED THE SHIT
    OUT OF ME
    I WON’T BE UNHAPPY AGAIN
    SPRING IS A COCK THAT’S HARD
    OH YES
    I KNOW YOU’RE A SECRET TERRORIST
    ‘CAUSE LOVE LEADS TO DEATH
    I WON’T EVER BE UNHAPPY AGAIN
    THOUGH IT’S BEEN A WEEK SO YOUR LOVE’S
    ALMOST OVER
    THE WORLD’S ABOUT TO EXPLODE
    TERRORISTS NEED NO MORE COVER
    OH YES LOVE LEADS TO DEATH
    OH YES
    I couldn’t hear any of that political music shit I just wanted to kiss
    the guy again and again. The music made it so you couldn’t hear the words
    and the music itself was so loud music couldn’t be heard
    you weren’t hearing
    this is beyond hearing
    you is just vibrations so there’s no difference between self and music.
    —-
    Last edited by Amber; 10-29-2014 at 05:16 AM.

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    Today's poem --- already deleted, this is only written in palimpsest, as Genette would say. But I'm getting too deep into literary theory when I should only do empirical confessive 16th century poetry coz it feels so modern to me. .



    The Platonic Blow (A Day For A Lay)
    ---- W.H. Auden

    It was a spring day, a day, a day for a lay when the air
    Smelled like a locker-room, a day to blow or get blown.
    Returning from lunch I turned my corner and there
    On a near-by stoop I saw him standing alone.
    I glanced as I advanced.
    The clean white T-shirt outlined
    A forceful torso, the light-blue denims divulged
    Much. I observed the snug curves where they hugged the behind,
    I watched the crotch where the cloth intriguingly bulged.
    Our eyes met, I felt sick. My knees turned weak.
    I couldn't move.
    I didn't know what to say.
    In a blur I heard words myself like a stranger speak.
    "Will you come to my room?" Then a husky voice, "O.K.
    "I produced some beer and we talked. Like a little boy
    He told me his story.
    Present address next door.
    Half Polish half Irish The youngest. From Illinois.
    Profession mechanic. Name Bud. Age twenty-four.
    He put down his glass and stretched his bare arms along
    The back of my sofa. The afternoon sunlight struck
    The blond hairs on the wrist near my head. His chin was strong,
    His mouth sucky. I could hardly believe my luck.
    And here he was sitting beside me, legs apart.I could bear it no longer.
    I touched the inside of his thigh.
    His reply was to move closer.
    I trembled. My heart
    Thumped and jumped as my fingers went to his fly.
    I opened a gap in the flap. I went in there.
    I sought for a slit in the gripper shorts that had charge
    Of the basket I asked for. I came to warm flesh then to hair,
    I went on. I found what I hoped. I groped. It was large.
    He responded to my fondling in a charming, disarming way:
    Without a word he unbuckled his belt while I felt
    And lolled back, stretching his legs. His pants fell away.
    Carefully drawing it out, I beheld what I held.
    The circumcised head was a work of mastercraft,
    With perfectly beveled rim of unusual weight
    And the friendliest red. Even relaxed, the shaft
    Was of noble dimensions with the wrinkles that indicate
    Singular powers of extension. For a second or two,
    It lay there inert then suddenly stirred in my hand,
    Then paused as if frightened or doubtful of what to do,
    And then with a violent jerk began to expand.
    By soundless bounds it extended and distended, by quick
    Great leaps it rose, it flushed, it rushed to its full size.
    Nearly nine inches long and three inches thick,
    A royal column ineffably solemn and wise.
    I tested its length and strength with a manual squeeze,
    I bunched my fingers and twirled them about the knob,
    I stroked it from top to bottom. I got on my knees.
    I lowered my head. I opened my mouth for the job.
    But he pushed me gently away. He bent down.
    He unlaced
    His shoes. He removed his socks. Stood up. Shed
    His pants altogether. Muscles in arms and waist
    Rippled as he whipped his T-shirt over his head.
    I scanned his tan, enjoyed the contrast of brown
    Trunk against white shorts taut around small
    Hips.
    With a dig and a wriggle he peeled them down.
    I tore off my clothes.
    He faced me smiling. I saw all.
    The gorgeous organ stood stiffly and straightly out
    With a slight flare upwards. At each beat of his heart it threw
    An odd little nod my way. From the slot of the spout
    Exuded a drop of transparent viscous goo.
    The lair of hair was fair, the grove of a young man,
    A tangle of curls and whorls, luxuriant but couth.
    Except for a spur of golden hairs that fan
    To the neat navel, the rest of the belly was smooth.
    Well hung, slung from the fork of the muscular legs,
    The firm vase of his sperm, like a bulging pear,
    Cradling its handsome glands, two herculean eggs,
    Swung as he came towards me, shameless, bare.
    We aligned mouths. We entwined. All act was clutch,
    All fact contact, the attack and the interlock
    Of tongues, the charms of arms. I shook at the touch
    Of his fresh flesh, I rocked at the shock of his cock.
    Straddling my legs a little I inserted his divine
    Person between and closed on it tight as I could.
    The upright warmth of his belly lay all along mine.
    Nude, glued together for a minute, we stood.
    I stroked the lobes of his ears, the back of his head
    And the broad shoulders. I took bold hold of the compact
    Globes of his bottom. We tottered. He fell on the bed.
    Lips parted, eyes closed, he lay there, ripe for the act.
    Mad to be had, to be felt and smelled. My lips
    Explored the adorable masculine tits. My eyes
    Assessed the chest. I caressed the athletic hips
    And the slim limbs. I approved the grooves of the thighs.
    I hugged, I snuggled into an armpit.I sniffed the subtle whiff of its tuft.
    I lapped up the taste
    Of its hot hollow. My fingers began to drift
    On a trek of inspection, a leisurely tour of the waist.
    Downward in narrowing circles they playfully strayed.
    Encroached on his privates like poachers, approached the prick.
    But teasingly swerved, retreated from meeting.
    It betrayed
    Its pleading need by a pretty imploring kick.
    "Shall I rim you?" I whispered. He shifted his limbs in assent,
    Turned on his side and opened his legs, let me pass
    To the dark parts behind. I kissed as I went
    The great thick cord that ran back from his balls to his arse.
    Prying the buttocks aside, I nosed my way in
    Down the shaggy slopes. I came to the puckered goal.
    It was quick to my licking. He pressed his crotch to my chin.
    His thighs squirmed as my tongue wormed in his hole.
    His sensations yearned for consummation. He untucked
    His legs and lay panting, hot as a teen-age boy.
    Naked, enlarged, charged, aching to get sucked,
    Clawing the sheet, all his pores open to joy.
    I inspected his erection.
    I surveyed his parts with a stare
    From scrotum level.
    Sighting along the underside
    Of his cock, I looked through the forest of pubic hair
    To the range of the chest beyond rising lofty and wide.
    I admired the texture, the delicate wrinkles and the neat
    Sutures of the capacious bag. I adored the grace
    Of the male genitalia. I raised the delicious meat
    Up to my mouth, brought the face of its hard-on to my face.
    Slipping my lips round the Byzantine dome of the head,
    With the tip of my tongue I caressed the sensitive groove.
    He thrilled to the trill. "That's lovely!" he hoarsely said."Go on! Go on!"
    Very slowly I started to move.
    Gently, intently, I slid to the massive base
    Of his tower of power, paused there a moment down
    In the warm moist thicket, then began to retrace
    Inch by inch the smooth way to the throbbing crown.
    Indwelling excitements swelled at delights to come
    As I descended and ascended those thick distended walls.
    I grasped his root between left forefinger and thumb
    And with my right hand tickled his heavy voluminous balls.
    I plunged with a rhythmical lunge steady and slow,
    And at every stroke made a corkscrew roll with my tongue.
    His soul reeled in the feeling. He whimpered, "Oh!"
    As I tongued and squeezed and rolled and tickled and swung.
    Then I pressed on the spot where the groin is joined to the cock,
    Slipped a finger into his arse and massaged him from inside.
    The secret sluices of his juices began to unlock.
    He melted into what he felt. "O Jesus!" he cried.
    Waves of immeasurable pleasures mounted his member in quick
    Spasms. I lay still in the notch of his crotch inhaling his sweat
    His ring convulsed round my finger. Into me, rich and thick,
    His hot spunk spouted in gouts, spurted in jet after jet.


    http://en.wikipedia.org/wiki/The_Platonic_Blow



    Sleeping Wrestler

    You are a murderer
    No you are not, but really a wrestler
    Either way it’s just the same
    For from the ring of your entangled body
    Clean as leather, lustful as a lily
    Will nail me down
    On your stout neck like a column, like a pillar of tendons
    The thoughtful forehead
    (In fact, it’s thinking nothing)
    When the forehead slowly moves and closes the heavy eyelids
    Inside, a dark forest awakens
    A forest of red parrots
    Seven almonds and grape leaves
    At the end of the forest a vine
    Covers the house where two boys
    Lie in each others arms: I’m one of them, you the other
    In the house, melancholy and terrible anxiety
    Outside the keyhole, a sunset
    Dyed with the blood of the beautiful bullfighter Escamillo
    Scorched by the sunset, headlong, headfirst
    Falling, falling, a gymnast
    If you’re going to open your eyes, nows the time, wrestler
    Last edited by Amber; 10-29-2014 at 09:38 PM.

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    Last edited by Amber; 10-29-2014 at 05:48 PM.

  12. #92
    Farewell, comrades Not A Communist Shill's Avatar
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    Dreams - John Dryden

    Dreams are but interludes which Fancy makes;
    When monarch Reason sleeps, this mimic wakes:
    Compounds a medley of disjointed things,
    A mob of cobblers, and a court of kings:
    Light fumes are merry, grosser fumes are sad;
    Both are the reasonable soul run mad;
    And many monstrous forms in sleep we see,
    That neither were, nor are, nor e'er can be.
    Sometimes forgotten things long cast behind
    Rush forward in the brain, and come to mind.
    The nurse's legends are for truths received,
    And the man dreams but what the boy believed.
    Sometimes we but rehearse a former play,
    The night restores our actions done by day;
    As hounds in sleep will open for their prey.
    In short, the farce of dreams is of a piece,
    Chimeras all; and more absurd, or less.

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    The Shower

    Charles Bukowski


    we like to shower afterwards
    (I like the water hotter than she)
    and her face is always soft and peaceful
    and she'll wash me first
    spread the soap over my balls
    lift the balls
    squeeze them,
    then wash the cock:
    "hey, this thing is still hard!"
    then get all the hair down there,-
    the belly, the back, the neck, the legs,
    I grin grin grin,
    and then I wash her. . .
    first the ****, I
    stand behind her, my cock in the cheeks of her ****
    I gently soap up the **** hairs,
    wash there with a soothing motion,
    I linger perhaps longer than necessary,
    then I get the backs of the legs, the ****,
    the back, the neck, I turn her, kiss her,
    soap up the breasts, get them and the belly, the neck,
    the fronts of the legs, the ankles, the feet,
    and then the ****, once more, for luck. . .
    another kiss, and she gets out first,
    toweling, sometimes singing while I stay in
    turn the water on hotter
    feeling the good times of love's miracle
    I then get out. . .
    it is usually mid-afternoon and quiet,
    and getting dressed we talk about what else
    there might be to do,
    but being together solves most of it
    for as long as those things stay solved
    in the history of women and
    man, it's different for each-
    for me, it's splendid enough to remember
    past the memories of pain and defeat and unhappiness:
    when you take it away
    do it slowly and easily
    make it as if I were dying in my sleep instead of in
    my life, amen.

  14. #94
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    By Patrizia Cavalli

    To get out of prison do you really need
    to know what wood the door is made of,
    the alloy of the bars, the precise hue
    of the walls? Becoming so expert, you might
    grow too fond of the place. If you really do
    want out, don’t wait so long, leave now,
    maybe use your voice, become a song.


    Ma davvero per uscire di prigione
    bisogna conoscere il legno della porta
    la lega delle sbarre, stabilire l’esatta
    gradazione del colore? A diventare
    così grandi esperti, si corre il rischio
    che poi ci si affezioni. Se vuoi uscire
    davvero di prigione, esci subito
    magari con la voce, diventa una canzone.

  15. #95
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    Easy Elimination of Stupid People

    By Elton Camp


    For meeting this goal, the best way to go about
    Just remove warning labels, let it sort itself out

    From the stupid, what could we expect
    If these actual dangers they didn’t detect

    The bottle of Windex wisely does advise
    “Do not spray this product into your eyes”

    Lack of this warning would give a thrill:
    “Don’t use this rotary tool as a dental drill”

    To admonish, Liquid Plummer does choose
    “This bottle to store beverages don’t reuse”

    On a bottle filled with hair dye:
    “As ice cream topping, don’t try”

    Zantac 75 urges users make no mistake:
    “If allergic to zantac, do not take”

    Bic lighter says safety please embrace:
    “Always ignite lighter away from face”

    So that earplug users may have no gripe:
    Breathing hampered if caught in windpipe”

    Cautions the mattress on which you wallow:
    “Warning: Do not attempt to swallow”

    The pepper spray most sagely does advise:
    “Caution, never spray into your own eyes”

    On the automobile windshield shade:
    “To drive with this in place is forbade”


  16. #96
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    NO! - Thomas Hood

    No sun — no moon!
    No morn — no noon —
    No dawn — no dusk — no proper time of day —
    No sky — no earthly view —
    No distance looking blue —
    No road — no street — no "t'other side the way" —
    No end to any Row —
    No indications where the Crescents go —
    No top to any steeple —
    No recognitions of familiar people —
    No courtesies for showing 'em —
    No knowing 'em!
    No traveling at all — no locomotion —
    No inkling of the way — no notion —
    "No go" — by land or ocean —
    No mail — no post —
    No news from any foreign coast —
    No park — no ring — no afternoon gentility —
    No company — no nobility —
    No warmth, no cheerfulness, no healthful ease,
    No comfortable feel in any member —
    No shade, no shine, no butterflies, no bees,
    No fruits, no flowers, no leaves, no birds,
    November!

  17. #97
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    I want to eat your sparrow, come
    here. I want to lick your sparrow claws come
    here. I want to cut your sorrows out
    you’re hollowed out. Come here.
    I want to suck your fingers off.
    Come here.
    I want to give you your history back.
    Your fingers back. I want to tell you yes.
    Come back. I want to show you my pressure,
    my heavy, my opened and clothes, my under
    and o’s. Come here. I want to finger
    your bones back. I want to sew your bones back
    I want to re-blood your history.
    I want to undo you like a mystery
    novel. Is this the kitchen? The table-saw?
    Is this your memory? Your tree-dream? You’re declawed.
    I want to give you your teeth back. Your teeth marks.
    I want to spit back your teeth-pull. I want to unhinge your heart-jaws.
    Come here. I want to sit you down on the bed and give you back
    my years. Here. I breathed your name into the leaves.
    Here. I breathed you back into the trees. Here. This is your tree-dream
    this is your tree-house, this is a bedroom, this is a silver broom
    this is a shallow dream. This is my tree-dirt, my bee shirt.
    This is my honey-stalk and these are your climbing shoes.
    Harmonica me to sleep again. Put your sparrow on my back skin.

    — Kallie Falandays, “I Want To Tell You Yes”

  18. #98
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    DENIAL
    by Georgios Seferis

    On the secret seashore

    white like a pigeon
    we thirsted at noon;
    but the water was brackish.

    On the golden sand
    we wrote her name;
    but the sea-breeze blew
    and the writing vanished.

    With what spirit, what heart,
    what desire and passion
    we lived our life: a mistake!
    So we changed our life.


    I have to add the Greek version, coz it looks so hot, unintelligible signs are poetry in themselves

    ΑΡΝΗΣΗ
    Στο περιγιάλι το κρυφό
    κι άσπρο σαν περιστέρι
    διψάσαμε το μεσημέρι·
    μα το νερό γλυφό.

    Πάνω στην άμμο την ξανθή
    γράψαμε τ' όνομά της·
    ωραία που φύσηξεν ο μπάτης
    και σβήστηκε η γραφή.

    Mε τι καρδιά, με τι πνοή,
    τι πόθους και τι πάθος,
    πήραμε τη ζωή μας· λάθος!
    κι αλλάξαμε ζωή.


    ** this is a poem about political resistance, don't think dirty

    Last edited by Amber; 11-04-2014 at 02:10 AM.

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    Brussels - Arthur Rimbaud

    Brussels
    Boulevard du Régent
    July.


    Flowerbeds of amaranths right up to
    The pleasant palace of Jupiter.
    - I know it is Thou, who is this place,
    Minglest thine almost Saharan Blue!

    Then, since rose and fir-tree of the sun
    And tropical creeper have their play enclosed here,
    The little widow's cage!...
    What
    Flocks of birds, o iaio, iaio!...

    - Calm houses, old passions!
    Summerhouse of the Lady who ran mad for love.
    After the buttocks of the rosebushes, the balcony
    Of Juliet, shadowy and very low.

    - La Juliette, that reminds me of l'Henriette,
    A charming railway station,
    At the heart of a mountain, as if the bottom of an orchard
    Where a thousand blue devils dance in the air!

    Green bench where in stormy paradise,
    The white Irish girl sings to the guitar.
    Then, from the Guianian dining-room,
    Chatter of children and of cages.

    The duke's window which makes me think
    Of the poison of snails and of boxwood
    Sleeping down here in the sun.
    And then,
    It is too beautiful! too! Let us maintain our silence.

    - Boulevard without movement or business,
    Dumb, every drama and every comedy,
    Unending concentration of scenes,
    I know you and I admire you in silence.

  20. #100
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    Psyche

    --Samuel Coleridge

    The butterfly the ancient Grecians made
    The soul's fair emblem, and its only name –
    But of the soul, escaped the slavish trade
    Of mortal life! – For in this earthly frame
    Ours is the reptile's lot, much toil, much blame,
    Manifold motions making little speed,
    And to deform and kill the things whereon we feed.

  21. #101
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    Happiness ~ Jane Kenyon

    There's just no accounting for happiness,
    or the way it turns up like a prodigal
    who comes back to the dust at your feet
    having squandered a fortune far away.

    And how can you not forgive?
    You make a feast in honor of what
    was lost, and take from its place the finest
    garment, which you saved for an occasion
    you could not imagine, and you weep night and day
    to know that you were not abandoned,
    that happiness saved its most extreme form
    for you alone.

    No, happiness is the uncle you never
    knew about, who flies a single-engine plane
    onto the grassy landing strip, hitchhikes
    into town, and inquires at every door
    until he finds you asleep midafternoon
    as you so often are during the unmerciful
    hours of your despair.

    It comes to the monk in his cell.
    It comes to the woman sweeping the street
    with a birch broom, to the child
    whose mother has passed out from drink.
    It comes to the lover, to the dog chewing
    a sock, to the pusher, to the basket maker,
    and to the clerk stacking cans of carrots
    in the night.
    It even comes to the boulder
    in the perpetual shade of pine barrens,
    to rain falling on the open sea,
    to the wineglass, weary of holding wine.

  22. #102
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    I'm actually writing a paper over this one right now:

    Having intended to merely pick on an oil company, the poem goes awry
    Bob Hicok

    Never before have I so resembled British Petroleum.
    They–it?–are concerned about the environment.
    I–it?–am concerned about the environment.
    They–him?–convey their concern through commercials,
    in which a man talks softly about the importance
    of the environment. I–doodad?–convey my concern
    through poems, in which my fingers type softly
    about the importance of the Earth. They–oligarchs?–
    have painted their slogans green. I–ineffectual
    left-leaning emotional black-hole of a self-sempahore?–
    recycle. Isn’t a corporation technically a person
    and responsible? Aren’t I technically a person
    and responsible? In a legal sense, in a regal sense,
    if romanticism holds sway? To give you a feel
    for how soft his voice is, imagine a kitty
    that eats only felt wearing a sable coat on a bed
    of dandelion fluff under sheets of the foreskins
    of seraphim, that’s how soothingly they want to drill
    in Alaska, in your head, just in case. And let’s be honest,
    we mostly want them to, we mostly want to get to the bank
    by two so we can get out of town by three and beat
    the traffic, traffic is murder this time of year.
    How far would you walk for bread? For the flour
    to make bread? A yard, a mile, a year, a life?
    Now you ask me, when are you going to fix your bike
    and ride it to work? Past the plain horses
    and spotted cows and the spotted horses and plain cows,
    along the river, to the left of the fallen-down barn
    and the right of the falling-down barn, up the hill,
    through the Pentecostal bend and past the Methodist
    edifice, through the speed trap, beside the art gallery
    and cigar shop, past the tattoo parlor and the bar
    and the other bar and the other other bar and the other
    other other bar and the bar that closed, where I swear,
    al-anon meets, since I’m wondering, what is the value
    of the wick or wire of the soul, be it emotional
    or notional, now that oceans are wheezing to a stop?

  23. #103
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    I actually had to teach Bukowski at one point.




    The Genius of the Crowd

    there is enough treachery, hatred violence absurdity in the average
    human being to supply any given army on any given day

    and the best at murder are those who preach against it
    and the best at hate are those who preach love
    and the best at war finally are those who preach peace

    those who preach god, need god
    those who preach peace do not have peace
    those who preach peace do not have love

    beware the preachers
    beware the knowers
    beware those who are always reading books
    beware those who either detest poverty
    or are proud of it
    beware those quick to praise
    for they need praise in return
    beware those who are quick to censor
    they are afraid of what they do not know
    beware those who seek constant crowds for
    they are nothing alone
    beware the average man the average woman
    beware their love, their love is average
    seeks average

    but there is genius in their hatred
    there is enough genius in their hatred to kill you
    to kill anybody
    not wanting solitude
    not understanding solitude
    they will attempt to destroy anything
    that differs from their own
    not being able to create art
    they will not understand art
    they will consider their failure as creators
    only as a failure of the world
    not being able to love fully
    they will believe your love incomplete
    and then they will hate you
    and their hatred will be perfect

    like a shining diamond
    like a knife
    like a mountain
    like a tiger
    like hemlock

    their finest art.


  24. #104
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    Coal

    ---- Audre Lorde



    I
    Is the total black, being spoken
    From the earth's inside.
    There are many kinds of open.
    How a diamond comes into a knot of flame
    How a sound comes into a word, coloured
    By who pays what for speaking.

    Some words are open
    Like a diamond on glass windows
    Singing out within the crash of passing sun
    Then there are words like stapled wagers
    In a perforated book—buy and sign and tear apart—
    And come whatever wills all chances
    The stub remains
    An ill-pulled tooth with a ragged edge.
    Some words live in my throat
    Breeding like adders. Others know sun
    Seeking like gypsies over my tongue
    To explode through my lips
    Like young sparrows bursting from shell.
    Some words
    Bedevil me.

    Love is a word another kind of open—
    As a diamond comes into a knot of flame
    I am black because I come from the earth's inside
    Take my word for jewel in your open light.

  25. #105
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    Chanson d'automne (Autumn Song) ~ Paul Verlaine

    Les sanglots longs
    Des violons
    De l'automne
    Blessent mon cœur
    D'une langueur
    Monotone.

    Tout suffocant
    Et blême, quand
    Sonne l'heure,
    Je me souviens
    Des jours anciens
    Et je pleure;

    Et je m'en vais
    Au vent mauvais
    Qui m'emporte
    Deçà, delà,
    Pareil à la
    Feuille morte.


    With long sobs
    the violin-throbs
    of autumn wound
    my heart with languorous
    and monotonous sound
    Choking and pale
    when I mind the tale
    the hours keep,
    my memory strays
    down other days
    and I weep;
    and I let me go
    where ill winds blow,
    now here, now there,
    harried and sped,
    even as a dead
    leaf, anywhere.

  26. #106
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    “We owned a garden on a hill,
    We planted rose and daffodil,
    Flowers that English poets sing,
    And hoped for glory in the Spring.
    We planted yellow hollyhocks,
    And humble sweetly-smelling stocks,
    And columbine for carnival,
    And dreamt of Summer's festival.
    And Autumn not to be outdone
    As heiress of the summer sun,
    Should doubly wreathe her tawny head
    With poppies and with creepers red.
    We waited then for all to grow,
    We planted wallflowers in a row.
    And lavender and borage blue, -
    Alas! we waited, I and you,
    But love was all that ever grew.”
    ― Vita Sackville-West (poet / gardener / lover)

  27. #107
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    Special Problems in Vocabulary, Tony Hoagland

    There is no single particular noun

    for the way a friendship,
    stretched over time, grows thin,
    then one day snaps with a popping sound.

    No verb for accidentally
    breaking a thing
    while trying to get it open
    —a marriage, for example.

    No particular phrase for
    losing a book
    in the middle of reading it,
    and therefore never learning the end.

    There is no expression, in English, at least,
    for avoiding the sight
    of your own body in the mirror,
    for disliking the touch

    of the afternoon sun,
    for walking into the flatlands and dust
    that stretch out before you
    after your adventures are done.

    No adjective for gradually speaking less and less,
    because you have stopped being able
    to say the one thing that would
    break your life loose from its grip.

    Certainly no name that one can imagine
    for the aspen tree outside the kitchen window,
    in spade-shaped leaves

    spinning on their stems,
    working themselves into
    a pale-green, vegetable blur.

    No word for waking up one morning
    and looking around,
    because the mysterious spirit

    that drives all things
    seems to have returned,
    and is on your side again.

  28. #108
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    I Shall Not Care, Sara Teasdale

    When I am dead and over me bright April
    Shakes out her rain-drenched hair,
    Tho' you should lean above me broken-hearted,
    I shall not care.

    I shall have peace, as leafy trees are peaceful
    When rain bends down the bough,
    And I shall be more silent and cold-hearted
    Than you are now.

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    Sexual Positions for Those No Longer Young
    Cathy Bryant


    Too old, too old for reverse cowgirl
    or anything with the word "donkey" in it
    except for The Ambling Blackpooler.

    We make up our own dances for the divans:
    The Upturned Mouse, The Irish Potato,
    The Half-full Cup of Tea, The Tipsy Llama;
    The Sideways Organ-grinder, and this time
    it's your turn to be the monkey.

    They mustn't sound like cocktails or perfumes
    —the Tom Jones Semitone, for instance.
    Stick to The Chuckle Brothers Cha Cha Cha,
    Getting Right Into the Corners
    (an important one, that),
    The Disgruntled Librarian, The Belgium.

    Darling, darling, let's try—Servicing the Caravan,
    Polishing the Bevelled Edge, The Newt,
    The Plumber's Lunch Break, The Mothy Woollen,
    Happy Hour at the Gardening Centre,
    The Tiptoe Tremble with Tray,
    The Assembly Instructions in Japanese;

    The Summer Pudding, The Slip-on Shoe,
    The Countdown Conundrum,
    The Saggy Bagpuss Squish, The Torville & Dean,
    Bargain Hunt, The Antiques Road Show,
    The Reconditioned Hoover.
    Together we'll write The Saga Sutra.

  30. #110
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    Flagellation

    "You remember I asked you for it—you gave me something else—I forget the Redemption."
    —Letter from Emily Dickinson to unknown recipient

    Greg Wrenn

    Here in the open portico of the imagination,
    it's always the Monday

    after Easter in a hill town, I'm biting
    the inside of my cheek,

    I'd pick at my eyebrows
    if I weren't tied to this column.

    One daddy
    and then another's about to whip me. Their blond beards

    catch flecks of godlight,
    late morning light that allows me

    and you, Beholder, Beloved, to commune like this
    in an impossible space.

    The clouds grazing the temple's dome,
    are they motherships

    about to harvest our bodies
    then colonize the walled city, the whole rain-starved boot?

    And this striped
    red floor, is it a map

    showing the way back
    to unshakeable beauty, truth

    instead of smut?
    His whip and his

    stuck forever in the air
    above my flab… You've gotten this far,

    I'm bobbing in your mind's walleye,
    so tease me with just

    the knotted end
    of your cat-o'-nine-tails,

    and the earth will crack in two,
    the sun will go dark:

    wings falling like iron bars;
    seahorses, plastic bags, a rosewood desk

    all crusting over with ice.
    Won't you enter my realm

    and fuck me up?
    I never say no.

    An empty throne looks on.

  31. #111
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    Gustavo Adolfo Bécquer:
    Rima XXVI. Voy contra mi interés al confesarlo...


    Voy contra mi interés al confesarlo;
    no obstante, amada mía,
    pienso cual tú que una oda solo es buena
    de un billete del banco al dorso escrita.
    No faltará algún necio que al oírlo
    se haga cruces y diga:
    Mujer al fin del siglo diez y nueve
    material y prosaica... ¡Boberías!
    ¡Voces que hacen correr cuatro poetas
    que en invierno se embozan con la lira!
    ¡Ladridos de los perros a la luna!
    Tú sabes y yo se que en esta vida,
    con genio es muy contado el que la escribe,
    y con oro cualquiera hace poesía.


    In spite of selfish interest
    Let it be frankly here confessed
    That I with thee
    Must quite agree
    That odes are only good, when seen
    Endorsed on bank-notes crisp and green. -
    Some dolts will not be wanting, who
    Will cross themselves with much ado
    And vent their rank acerbity
    Upon our nineteenth century.
    Declaring modern women all
    Prosaic and material. -
    Such sentiments but serve to make
    Four frozen poets run and quake,
    When they essay in winter's ire
    To wrap themselves within their lyre.
    These are the dogs who bay their tune
    To spite the poor, defenceless moon.
    For you know well
    And I can tell,
    That there are very few of us
    Who boast of real genius
    While any booby may with gold
    A world of poesy unfold

    (Translated by H. Landman)

  32. #112
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    And death shall have no dominion.
    Dead man naked they shall be one
    With the man in the wind and the west moon;
    When their bones are picked clean and the clean bones gone,
    They shall have stars at elbow and foot;
    Though they go mad they shall be sane,
    Though they sink through the sea they shall rise again;
    Though lovers be lost love shall not;
    And death shall have no dominion.

    And death shall have no dominion.
    Under the windings of the sea
    They lying long shall not die windily;
    Twisting on racks when sinews give way,
    Strapped to a wheel, yet they shall not break;
    Faith in their hands shall snap in two,
    And the unicorn evils run them through;
    Split all ends up they shan't crack;
    And death shall have no dominion.

    And death shall have no dominion.
    No more may gulls cry at their ears
    Or waves break loud on the seashores;
    Where blew a flower may a flower no more
    Lift its head to the blows of the rain;
    Though they be mad and dead as nails,
    Heads of the characters hammer through daisies;
    Break in the sun till the sun breaks down,
    And death shall have no dominion.

    ~ Dylan Thomas

  33. #113
    Queen of the Damned Aylen's Avatar
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    Though for your sake I would not have you now
    So near to me tonight as now you are,
    God knows how much a stranger to my heart
    Was any cold word that I may have written;
    And you, poor woman that I made my wife,
    You have had more of loneliness, I fear,
    Than I—though I have been the most alone,
    Even when the most attended. So it was
    God set the mark of his inscrutable
    Necessity on one that was to grope,
    And serve, and suffer, and withal be glad
    For what was his, and is, and is to be,
    When his old bones, that are a burden now,
    Are saying what the man who carried them
    Had not the power to say. Bones in a grave,
    Cover them as they will with choking earth,
    May shout the truth to men who put them there,
    More than all orators. And so, my dear,
    Since you have cheated wisdom for the sake
    Of sorrow, let your sorrow be for you,
    This last of nights before the last of days,
    The lying ghost of what there is of me
    That is the most alive. There is no death
    For me in what they do. Their death it is
    They should heed most when the sun comes again
    To make them solemn. There are some I know
    Whose eyes will hardly see their occupation,
    For tears in them—and all for one old man;
    For some of them will pity this old man,
    Who took upon himself the work of God
    Because he pitied millions. That will be
    For them, I fancy, their compassionate
    Best way of saying what is best in them
    To say; for they can say no more than that,
    And they can do no more than what the dawn
    Of one more day shall give them light enough
    To do. But there are many days to be,
    And there are many men to give their blood,
    As I gave mine for them. May they come soon!


    May they come soon, I say. And when they come,
    May all that I have said unheard be heard,
    Proving at last, or maybe not—no matter—
    What sort of madness was the part of me
    That made me strike, whether I found the mark
    Or missed it. Meanwhile, I’ve a strange content,
    A patience, and a vast indifference
    To what men say of me and what men fear
    To say. There was a work to be begun,
    And when the Voice, that I have heard so long,
    Announced as in a thousand silences
    An end of preparation, I began
    The coming work of death which is to be,
    That life may be. There is no other way
    Than the old way of war for a new land
    That will not know itself and is tonight
    A stranger to itself, and to the world
    A more prodigious upstart among states
    Than I was among men, and so shall be
    Till they are told and told, and told again;
    For men are children, waiting to be told,
    And most of them are children all their lives.
    The good God in his wisdom had them so,
    That now and then a madman or a seer
    May shake them out of their complacency
    And shame them into deeds. The major file
    See only what their fathers may have seen,
    Or may have said they saw when they saw nothing.
    I do not say it matters what they saw.
    Now and again to some lone soul or other
    God speaks, and there is hanging to be done,—
    As once there was a burning of our bodies
    Alive, albeit our souls were sorry fuel.
    But now the fires are few, and we are poised
    Accordingly, for the state’s benefit,
    A few still minutes between heaven and earth.
    The purpose is, when they have seen enough
    Of what it is that they are not to see,
    To pluck me as an unripe fruit of treason,
    And then to fling me back to the same earth
    Of which they are, as I suppose, the flower—
    Not given to know the riper fruit that waits
    For a more comprehensive harvesting.


    Yes, may they come, and soon. Again I say,
    May they come soon!—before too many of them
    Shall be the bloody cost of our defection.
    When hell waits on the dawn of a new state,
    Better it were that hell should not wait long,—
    Or so it is I see it who should see
    As far or farther into time tonight
    Than they who talk and tremble for me now,
    Or wish me to those everlasting fires
    That are for me no fear. Too many fires
    Have sought me out and seared me to the bone—
    Thereby, for all I know, to temper me
    For what was mine to do. If I did ill
    What I did well, let men say I was mad;
    Or let my name for ever be a question
    That will not sleep in history. What men say
    I was will cool no cannon, dull no sword,
    Invalidate no truth. Meanwhile, I was;
    And the long train is lighted that shall burn,
    Though floods of wrath may drench it, and hot feet
    May stamp it for a slight time into smoke
    That shall blaze up again with growing speed,
    Until at last a fiery crash will come
    To cleanse and shake a wounded hemisphere,
    And heal it of a long malignity
    That angry time discredits and disowns.


    Tonight there are men saying many things;
    And some who see life in the last of me
    Will answer first the coming call to death;
    For death is what is coming, and then life.
    I do not say again for the dull sake
    Of speech what you have heard me say before,
    But rather for the sake of all I am,
    And all God made of me. A man to die
    As I do must have done some other work
    Than man’s alone. I was not after glory,
    But there was glory with me, like a friend,
    Throughout those crippling years when friends were few,
    And fearful to be known by their own names
    When mine was vilified for their approval.
    Yet friends they are, and they did what was given
    Their will to do; they could have done no more.
    I was the one man mad enough, it seems,
    To do my work; and now my work is over.
    And you, my dear, are not to mourn for me,
    Or for your sons, more than a soul should mourn
    In Paradise, done with evil and with earth.
    There is not much of earth in what remains
    For you; and what there may be left of it
    For your endurance you shall have at last
    In peace, without the twinge of any fear
    For my condition; for I shall be done
    With plans and actions that have heretofore
    Made your days long and your nights ominous
    With darkness and the many distances
    That were between us. When the silence comes,
    I shall in faith be nearer to you then
    Than I am now in fact. What you see now
    Is only the outside of an old man,
    Older than years have made him. Let him die,
    And let him be a thing for little grief.
    There was a time for service and he served;
    And there is no more time for anything
    But a short gratefulness to those who gave
    Their scared allegiance to an enterprise
    That has the name of treason—which will serve
    As well as any other for the present.
    There are some deeds of men that have no names,
    And mine may like as not be one of them.
    I am not looking far for names tonight.
    The King of Glory was without a name
    Until men gave Him one; yet there He was,
    Before we found Him and affronted Him
    With numerous ingenuities of evil,
    Of which one, with His aid, is to be swept
    And washed out of the world with fire and blood.


    Once I believed it might have come to pass
    With a small cost of blood; but I was dreaming—
    Dreaming that I believed. The Voice I heard
    When I left you behind me in the north,—
    To wait there and to wonder and grow old
    Of loneliness,—told only what was best,
    And with a saving vagueness, I should know
    Till I knew more. And had I known even then—
    After grim years of search and suffering,
    So many of them to end as they began—
    After my sickening doubts and estimations
    Of plans abandoned and of new plans vain—
    After a weary delving everywhere
    For men with every virtue but the Vision—
    Could I have known, I say, before I left you
    That summer morning, all there was to know—
    Even unto the last consuming word
    That would have blasted every mortal answer
    As lightning would annihilate a leaf,
    I might have trembled on that summer morning;
    I might have wavered; and I might have failed.


    And there are many among men today
    To say of me that I had best have wavered.
    So has it been, so shall it always be,
    For those of us who give ourselves to die
    Before we are so parcelled and approved
    As to be slaughtered by authority.
    We do not make so much of what they say
    As they of what our folly says of us;
    They give us hardly time enough for that,
    And thereby we gain much by losing little.
    Few are alive to-day with less to lose.
    Than I who tell you this, or more to gain;
    And whether I speak as one to be destroyed
    For no good end outside his own destruction,
    Time shall have more to say than men shall hear
    Between now and the coming of that harvest
    Which is to come. Before it comes, I go—
    By the short road that mystery makes long
    For man’s endurance of accomplishment.
    I shall have more to say when I am dead.




    Edwin Arlington Robinson

    “My typology is . . . not in any sense to stick labels on people at first sight. It is not a physiognomy and not an anthropological system, but a critical psychology dealing with the organization and delimitation of psychic processes that can be shown to be typical.”​ —C.G. Jung
     
    YWIMW

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    The Question ~ Percy Shelley

    I dreamed that, as I wandered by the way,
    Bare Winter suddenly was changed to Spring,
    And gentle odours led my steps astray,
    Mixed with a sound of waters murmuring
    Along a shelving bank of turf, which lay
    Under a copse, and hardly dared to fling
    Its green arms round the bosom of the stream,
    But kissed it and then fled, as thou mightest in dream.

    There grew pied wind-flowers and violets,
    Daisies, those pearled Arcturi of the earth,
    The constellated flower that never sets;
    Faint oxlips; tender bluebells, at whose birth
    The sod scarce heaved; and that tall flower that wets—
    Like a child, half in tenderness and mirth—
    Its mother's face with Heaven's collected tears,
    When the low wind, its playmate's voice, it hears.

    And in the warm hedge grew lush eglantine,
    Green cowbind and the moonlight-coloured may,
    And cherry-blossoms, and white cups, whose wine
    Was the bright dew, yet drained not by the day;
    And wild roses, and ivy serpentine,
    With its dark buds and leaves, wandering astray;
    And flowers azure, black, and streaked with gold,
    Fairer than any wakened eyes behold.

    And nearer to the river's trembling edge
    There grew broad flag-flowers, purple pranked with white,
    And starry river buds among the sedge,
    And floating water-lilies, broad and bright,
    Which lit the oak that overhung the hedge
    With moonlight beams of their own watery light;
    And bulrushes, and reeds of such deep green
    As soothed the dazzled eye with sober sheen.

    Methought that of these visionary flowers
    I made a nosegay, bound in such a way
    That the same hues, which in their natural bowers
    Were mingled or opposed, the like array
    Kept these imprisoned children of the Hours
    Within my hand,—and then, elate and gay,
    I hastened to the spot whence I had come,
    That I might there present it!—Oh! to whom?

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    Lullaby ~ W.H. Auden

    Lay your sleeping head, my love,
    Human on my faithless arm;
    Time and fevers burn away
    Individual beauty from
    Thoughtful children, and the grave
    Proves the child ephemeral:
    But in my arms till break of day
    Let the living creature lie,
    Mortal, guilty, but to me
    The entirely beautiful.

    Soul and body have no bounds:
    To lovers as they lie upon
    Her tolerant enchanted slope
    In their ordinary swoon,
    Grave the vision Venus sends
    Of supernatural sympathy,
    Universal love and hope;
    While an abstract insight wakes
    Among the glaciers and the rocks
    The hermit’s carnal ecstasy.

    Certainty, fidelity
    On the stroke of midnight pass
    Like vibrations of a bell,
    And fashionable madmen raise
    Their pedantic boring cry:
    Every farthing of the cost,
    All the dreaded cards foretell,
    Shall be paid, but from this night
    Not a whisper, not a thought,
    Not a kiss nor look be lost.

    Beauty, midnight, vision dies:
    Let the winds of dawn that blow
    Softly round your dreaming head
    Such a day of welcome show
    Eye and knocking heart may bless,
    Find the mortal world enough;
    Noons of dryness find you fed
    By the involuntary powers,
    Nights of insult let you pass
    Watched by every human love.

  36. #116
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    Auguries of Innocence ~ William Blake

    To see a World in a Grain of Sand
    And a Heaven in a Wild Flower
    Hold Infinity in the palm of your hand
    And Eternity in an hour
    A Robin Red breast in a Cage
    Puts all Heaven in a Rage
    A Dove house filld with Doves & Pigeons
    Shudders Hell thr' all its regions
    A dog starvd at his Masters Gate
    Predicts the ruin of the State
    A Horse misusd upon the Road
    Calls to Heaven for Human blood
    Each outcry of the hunted Hare
    A fibre from the Brain does tear
    A Skylark wounded in the wing
    A Cherubim does cease to sing
    The Game Cock clipd & armd for fight
    Does the Rising Sun affright
    Every Wolfs & Lions howl
    Raises from Hell a Human Soul
    The wild deer, wandring here & there
    Keeps the Human Soul from Care
    The Lamb misusd breeds Public Strife
    And yet forgives the Butchers knife
    The Bat that flits at close of Eve
    Has left the Brain that wont Believe
    The Owl that calls upon the Night
    Speaks the Unbelievers fright
    He who shall hurt the little Wren
    Shall never be belovd by Men
    He who the Ox to wrath has movd
    Shall never be by Woman lovd
    The wanton Boy that kills the Fly
    Shall feel the Spiders enmity
    He who torments the Chafers Sprite
    Weaves a Bower in endless Night
    The Catterpiller on the Leaf
    Repeats to thee thy Mothers grief
    Kill not the Moth nor Butterfly
    For the Last Judgment draweth nigh
    He who shall train the Horse to War
    Shall never pass the Polar Bar
    The Beggars Dog & Widows Cat
    Feed them & thou wilt grow fat
    The Gnat that sings his Summers Song
    Poison gets from Slanders tongue
    The poison of the Snake & Newt
    Is the sweat of Envys Foot
    The poison of the Honey Bee
    Is the Artists Jealousy
    The Princes Robes & Beggars Rags
    Are Toadstools on the Misers Bags
    A Truth thats told with bad intent
    Beats all the Lies you can invent
    It is right it should be so
    Man was made for Joy & Woe
    And when this we rightly know
    Thro the World we safely go
    Joy & Woe are woven fine
    A Clothing for the soul divine
    Under every grief & pine
    Runs a joy with silken twine
    The Babe is more than swadling Bands
    Throughout all these Human Lands
    Tools were made & Born were hands
    Every Farmer Understands
    Every Tear from Every Eye
    Becomes a Babe in Eternity
    This is caught by Females bright
    And returnd to its own delight
    The Bleat the Bark Bellow & Roar
    Are Waves that Beat on Heavens Shore
    The Babe that weeps the Rod beneath
    Writes Revenge in realms of Death
    The Beggars Rags fluttering in Air
    Does to Rags the Heavens tear
    The Soldier armd with Sword & Gun
    Palsied strikes the Summers Sun
    The poor Mans Farthing is worth more
    Than all the Gold on Africs Shore
    One Mite wrung from the Labrers hands
    Shall buy & sell the Misers Lands
    Or if protected from on high
    Does that whole Nation sell & buy
    He who mocks the Infants Faith
    Shall be mockd in Age & Death
    He who shall teach the Child to Doubt
    The rotting Grave shall neer get out
    He who respects the Infants faith
    Triumphs over Hell & Death
    The Childs Toys & the Old Mans Reasons
    Are the Fruits of the Two seasons
    The Questioner who sits so sly
    Shall never know how to Reply
    He who replies to words of Doubt
    Doth put the Light of Knowledge out
    The Strongest Poison ever known
    Came from Caesars Laurel Crown
    Nought can Deform the Human Race
    Like to the Armours iron brace
    When Gold & Gems adorn the Plow
    To peaceful Arts shall Envy Bow
    A Riddle or the Crickets Cry
    Is to Doubt a fit Reply
    The Emmets Inch & Eagles Mile
    Make Lame Philosophy to smile
    He who Doubts from what he sees
    Will neer Believe do what you Please
    If the Sun & Moon should Doubt
    Theyd immediately Go out
    To be in a Passion you Good may Do
    But no Good if a Passion is in you
    The Whore & Gambler by the State
    Licencd build that Nations Fate
    The Harlots cry from Street to Street
    Shall weave Old Englands winding Sheet
    The Winners Shout the Losers Curse
    Dance before dead Englands Hearse
    Every Night & every Morn
    Some to Misery are Born
    Every Morn and every Night
    Some are Born to sweet delight
    Some are Born to sweet delight
    Some are Born to Endless Night
    We are led to Believe a Lie
    When we see not Thro the Eye
    Which was Born in a Night to perish in a Night
    When the Soul Slept in Beams of Light
    God Appears & God is Light
    To those poor Souls who dwell in Night
    But does a Human Form Display
    To those who Dwell in Realms of day

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    Oh that my Pow'r to Saving were confin’d:
    Why am I forc’d, like Heav’n, against my mind,
    To make Examples of another Kind?
    Must I at length the Sword of Justice draw?
    Oh curst Effects of necessary Law!
    How ill my Fear they by my Mercy scan,
    Beware the Fury of a Patient Man.

    ~ John Dryden

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    Text from A Sea Symphony by Ralph Vaughan Williams
    Verse by Walt Whitman

    I. A Song for all Seas, all Ships

    Book XIII: Song of the Exposition

    [from verse 8]

    Behold, the sea itself,
    And on its limitless, heaving breast, the ships;
    See, where their white sails, bellying in the wind, speckle the green and blue,
    See, the steamers coming and going, steaming in or out of port,
    See, dusky and undulating, the long pennants of smoke.
    Book XIX: Sea-Drift: Song for All Seas, All Ships
    Today a rude brief recitative,
    Of ships sailing the seas, each with its special flag or ship-signal,
    Of unnamed heroes in the ships -- of waves spreading and spreading far as the eye can reach,
    Of dashing spray, and the winds piping and blowing,
    And out of these a chant for the sailors of all nations,
    Fitful, like a surge.

    Of sea-captains young or old, and the mates, and of all intrepid sailors,
    Of the few, very choice, taciturn, whom fate can never surprise nor death dismay.
    Pick'd sparingly without noise by thee old ocean, chosen by thee,
    Thou sea that pickest and cullest the race in time, and unitest nations,
    Suckled by thee, old husky nurse, embodying thee,
    Indomitable, untamed as thee.

    Flaunt out O sea your separate flags of nations!
    Flaunt out visible as ever the various ship-signals!
    But do you reserve especially for yourself and for the soul of man one flag above all the rest,
    A spiritual woven signal for all nations, emblem of man elate above death,
    Token of all brave captains and all intrepid sailors and mates,
    And all that went down doing their duty,
    Reminiscent of them, twined from all intrepid captains young or old,
    A pennant universal, subtly waving all time, o'er all brave sailors,
    All seas, all ships.

    II. On the Beach at Night, Alone

    Book XIX: Sea-Drift: On the Beach at Night Alone
    On the beach at night alone,
    As the old mother sways her to and fro singing her husky song,
    As I watch the bright stars shining, I think a thought of the clef of the universes and of the future.

    A vast similitude interlocks all,

    All distances of place however wide,
    All distances of time,

    All souls, all living bodies though they be ever so different,

    All nations,

    All identities that have existed or may exist

    All lives and deaths, all of the past, present, future,
    This vast similitude spans them, and always has spann'd,
    And shall forever span them and compactly hold and enclose them.

    III. (Scherzo) The Waves

    Book XIX: Sea-Drift: After the Sea-Ship
    After the sea-ship, after the whistling winds,
    After the white-gray sails taut to their spars and ropes,
    Below, a myriad, myriad waves hastening, lifting up their necks,
    Tending in ceaseless flow toward the track of the ship,
    Waves of the ocean bubbling and gurgling, blithely prying,
    Waves, undulating waves, liquid, uneven, emulous waves,
    Toward that whirling current, laughing and buoyant, with curves,
    Where the great vessel sailing and tacking displaced the surface,
    Larger and smaller waves in the spread of the ocean yearnfully flowing,
    The wake of the sea-ship after she passes, flashing and frolicsome under the sun,
    A motley procession with many a fleck of foam and many fragments,
    Following the stately and rapid ship, in the wake following.

    IV. The Explorers

    Book XXVI: Passage to India:

    [from verse 5]

    O vast Rondure, swimming in space,
    Cover'd all over with visible power and beauty,
    Alternate light and day and the teeming spiritual darkness,
    Unspeakable high processions of sun and moon and countless stars above,
    Below, the manifold grass and waters, animals, mountains, trees,
    With inscrutable purpose, some hidden prophetic intention,
    Now first it seems my thought begins to span thee.

    Down from the gardens of Asia descending radiating,
    Adam and Eve appear, then their myriad progeny after them,
    Wandering, yearning, curious, with restless explorations,
    With questionings, baffled, formless, feverish, with never-happy hearts,
    With that sad incessant refrain, Wherefore unsatisfied soul? and Whither O mocking life?

    Ah who shall soothe these feverish children?
    Who Justify these restless explorations?
    Who speak the secret of impassive earth?
    Who bind it to us? what is this separate Nature so unnatural?
    What is this earth to our affections? (unloving earth, without a throb to answer ours, Cold earth, the place of graves.)

    Yet soul be sure the first intent remains, and shall be carried out,
    Perhaps even now the time has arrived.

    After the seas are all cross'd, (as they seem already cross'd,)
    After the great captains and engineers have accomplish'd their work,
    After the noble inventors, after the scientists, the chemist, the geologist, ethnologist,
    Finally shall come the poet worthy that name,
    The true son of God shall come singing his songs.

    [from verse 8]

    O we can wait no longer,
    We too take ship O soul,
    Joyous we too launch out on trackless seas,
    Fearless for unknown shores on waves of ecstasy to sail,
    Amid the wafting winds, (thou pressing me to thee, I thee to me, O soul,)
    Caroling free, singing our song of God,
    Chanting our chant of pleasant exploration.

    O soul thou pleasest me, I thee,
    Sailing these seas or on the hills, or waking in the night,
    Thoughts, silent thoughts, of Time and Space and Death, like waters flowing,
    Bear me indeed as through the regions infinite,
    Whose air I breathe, whose ripples hear, lave me all over,
    Bathe me O God in thee, mounting to thee,
    I and my soul to range in range of thee.

    O Thou transcendent,
    Nameless, the fibre and the breath,
    Light of the light, shedding forth universes, thou centre of them.

    Swiftly I shrivel at the thought of God,
    At Nature and its wonders, Time and Space and Death,
    But that I, turning, call to thee O soul, thou actual Me,
    And lo, thou gently masterest the orbs,
    Thou matest Time, smilest content at Death,
    And fillest, swellest full the vastnesses of Space.

    Greater than stars or suns,
    Bounding O soul thou journeyest forth;

    [from verse 9]

    Away O soul! hoist instantly the anchor!
    Cut the hawsers -- haul out -- shake out every sail!

    Reckless O soul, exploring, I with thee, and thou with me,

    Sail forth -- steer for the deep waters only,
    For we are bound where mariner has not yet dared to go,
    And we will risk the ship, ourselves and all.

    O my brave soul!
    O farther farther sail!
    O daring joy, but safe! are they not all the seas of God?
    O farther, farther, farther sail!

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    Sonnet 17 ~ William Shakespeare

    Who will believe my verse in time to come,
    If it were filled with your most high deserts?
    Though yet heaven knows it is but as a tomb
    Which hides your life, and shows not half your parts.
    If I could write the beauty of your eyes,
    And in fresh numbers number all your graces,
    The age to come would say 'This poet lies;
    Such heavenly touches ne'er touched earthly faces.'
    So should my papers, yellowed with their age,
    Be scorned, like old men of less truth than tongue,
    And your true rights be termed a poet's rage
    And stretched metre of an antique song:
    But were some child of yours alive that time,
    You should live twice, in it, and in my rhyme.

  40. #120
    Farewell, comrades Not A Communist Shill's Avatar
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    The Drunken Boat ~ Arthur Rimbaud

    As I was floating down unconcerned Rivers
    I no longer felt myself steered by the haulers:
    Gaudy Redskins had taken them for targets
    Nailing them naked to coloured stakes.

    I cared nothing for all my crews,
    Carrying Flemish wheat or English cottons.
    When, along with my haulers those uproars were done with
    The Rivers let me sail downstream where I pleased.

    Into the ferocious tide-rips
    Last winter, more absorbed than the minds of children,
    I ran! And the unmoored Peninsulas
    Never endured more triumphant clamourings

    The storm made bliss of my sea-borne awakenings.
    Lighter than a cork, I danced on the waves
    Which men call eternal rollers of victims,
    For ten nights, without once missing the foolish eye of the harbor lights!

    Sweeter than the flesh of sour apples to children,
    The green water penetrated my pinewood hull
    And washed me clean of the bluish wine-stains and the splashes of vomit,
    Carrying away both rudder and anchor.

    And from that time on I bathed in the Poem
    Of the Sea, star-infused and churned into milk,
    Devouring the green azures; where, entranced in pallid flotsam,
    A dreaming drowned man sometimes goes down;

    Where, suddenly dyeing the bluenesses, deliriums
    And slow rhythms under the gleams of the daylight,
    Stronger than alcohol, vaster than music
    Ferment the bitter rednesses of love!

    I have come to know the skies splitting with lightnings, and the waterspouts
    And the breakers and currents; I know the evening,
    And Dawn rising up like a flock of doves,
    And sometimes I have seen what men have imagined they saw!

    I have seen the low-hanging sun speckled with mystic horrors.
    Lighting up long violet coagulations,
    Like the performers in very-antique dramas
    Waves rolling back into the distances their shiverings of venetian blinds!

    I have dreamed of the green night of the dazzled snows
    The kiss rising slowly to the eyes of the seas,
    The circulation of undreamed-of saps,
    And the yellow-blue awakenings of singing phosphorus!

    I have followed, for whole months on end, the swells
    Battering the reefs like hysterical herds of cows,
    Never dreaming that the luminous feet of the Marys
    Could force back the muzzles of snorting Oceans!

    I have struck, do you realize, incredible Floridas
    Where mingle with flowers the eyes of panthers
    In human skins! Rainbows stretched like bridles
    Under the seas' horizon, to glaucous herds!

    I have seen the enormous swamps seething, traps
    Where a whole leviathan rots in the reeds!
    Downfalls of waters in the midst of the calm
    And distances cataracting down into abysses!

    Glaciers, suns of silver, waves of pearl, skies of red-hot coals!
    Hideous wrecks at the bottom of brown gulfs
    Where the giant snakes devoured by vermin
    Fall from the twisted trees with black odours!

    I should have liked to show to children those dolphins
    Of the blue wave, those golden, those singing fishes.
    - Foam of flowers rocked my driftings
    And at times ineffable winds would lend me wings.

    Sometimes, a martyr weary of poles and zones,
    The sea whose sobs sweetened my rollings
    Lifted its shadow-flowers with their yellow sucking disks toward me
    And I hung there like a kneeling woman...

    Almost an island, tossing on my beaches the brawls
    And droppings of pale-eyed, clamouring birds,
    And I was scudding along when across my frayed cordage
    Drowned men sank backwards into sleep!

    But now I, a boat lost under the hair of coves,
    Hurled by the hurricane into the birdless ether,
    I, whose wreck, dead-drunk and sodden with water,
    neither Monitor nor Hanse ships would have fished up;

    Free, smoking, risen from violet fogs,
    I who bored through the wall of the reddening sky
    Which bears a sweetmeat good poets find delicious,
    Lichens of sunlight [mixed] with azure snot,

    Who ran, speckled with lunula of electricity,
    A crazy plank, with black sea-horses for escort,
    When Julys were crushing with cudgel blows
    Skies of ultramarine into burning funnels;

    I who trembled, to feel at fifty leagues' distance
    The groans of Behemoth's rutting, and of the dense Maelstroms
    Eternal spinner of blue immobilities
    I long for Europe with it's aged old parapets!

    I have seen archipelagos of stars! and islands
    Whose delirious skies are open to sailor:
    - Do you sleep, are you exiled in those bottomless nights,
    Million golden birds, O Life Force of the future? -

    But, truly, I have wept too much! The Dawns are heartbreaking.
    Every moon is atrocious and every sun bitter:
    Sharp love has swollen me up with heady langours.
    O let my keel split! O let me sink to the bottom!

    If there is one water in Europe I want, it is the
    Black cold pool where into the scented twilight
    A child squatting full of sadness, launches
    A boat as fragile as a butterfly in May.

    I can no more, bathed in your langours, O waves,
    Sail in the wake of the carriers of cottons,
    Nor undergo the pride of the flags and pennants,
    Nor pull past the horrible eyes of the hulks.

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