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Thread: Sinclair Ross

  1. #1
    Big Sister IS watchIng me Sleep HERO's Avatar
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    Default Sinclair Ross

    Sinclair Ross: Delta Irrational (IEE or SLI); or ILI or IEI or EII

    - from Literary Experiences: Volume One; p. 240 (Cornet at Night by Sinclair Ross): There was a wind this sunny August morning, tanged with freedom and departure, and from his stall my pony Clipper whinnied for a race with it. Sunday or not, I would ordinarily have had my gallop anyway, but today a sudden welling-up of social and religious conscience made me ask myself whether one in the family like my father wasn`t bad enough. Returning to the house, I merely said that on such a fine day it seemed a pity to stay inside. My mother heard but didn`t answer. Perhaps her conscience too was working. Perhaps after being worsted in the skirmish with my father, she was in no mood for granting dispensations.

    - pp. 241-242: My mother prepared the midday meal as usual, but, to impress upon my father the enormity of his conduct, withdrew as soon as the food was served. When he was gone, she and I emerged to take our places at the table in an atmosphere of unappetizing righteousness. We didn`t eat much. The food was cold, and my mother had no heart to warm it up. For relief at last she said, “Run along and feed the chickens while I change my dress. Since we aren’t going to service today we’ll read Scripture for a while instead.”
    And Scripture we did read, Isaiah, verse about, my mother in her black silk dress and rhinestone brooch, I in my corduroys and Sunday shoes that pinched. It was a very august afternoon, exactly like the tone that had persisted in my mother’s voice since breakfast time. I think I might have openly rebelled, only for the hope that by compliance I yet might win permission for the trip to town with Rock. I was inordinately proud that my father had suggested it, and for his faith in me forgave him even Isaiah and the plushy afternoon. Whereas with my mother, I decided, it was a case of downright bigotry.
    We went on reading Isaiah, and then for a while I played hymns on the piano. A great many hymns—even the ones with awkward sharps and accidentals that I’d never tried before—for, fearing visitors, my mother was resolved to let them see that she and I were uncontaminated by my father’s sacrilege. But among these likely visitors was my Aunt Louise, a portly, condescending lady married to a well-off farmer with a handsome motor-car, and always when she came it was my mother’s vanity to have me play for her a waltz or reverie, or Holy Night sometimes with variations. A man-child and prodigy might eclipse the motor-car. Presently she roused herself, and pretending mild reproof began, “Now, Tommy, you’re going wooden on those hymns. For a change you’d better practise Sons of Liberty. Your Aunt Louise will want to hear it, anyway.”
    There was a fine swing and vigour in this piece, but it was hard. Hard because it was so alive, so full of youth and head-high rhythm. It was a march, and it did march. I couldn’t take time to practise at the hard spots slowly till I got them right, for I had to march too. I had to let my fingers sometimes miss a note or strike one wrong. Again and again this afternoon I started carefully, resolving to count right through, the way Miss Wiggins did, and as often I sprang ahead to lead my march a moment or two all dash and fire, and then fall stumbling in the bitter dust of dissonance. My mother didn’t know. She thought that speed and perseverance would eventually get me there. She tapped her foot and smiled encouragement, and gradually as the afternoon wore on began to look a little disappointed that there were to be no visitors, after all. “Run along for the cows,” she said at last, “while I get supper ready for your father. There’ll be nobody here, so you can slip into your overalls again.”
    I looked at her a moment, and then asked: “What am I going to wear to town tomorrow? I might get grease or something on the corduroys.”
    For while it was always my way to exploit the future, I liked to do it rationally, within the limits of the sane and probable. On my way for the cows I wanted to live the trip to town tomorrow many times, with variations, but only on the explicit understanding that tomorrow there was to be a trip to town. I have always been tethered to reality, always compelled by an unfortunate kind of probity in my nature to prefer a barefaced disappointment to the luxury of a future I have no just claims upon.

    - p. 244: It was three hours to town with Rock, but I don’t remember them. I remember nothing but a smug satisfaction with myself, an exhilarating conviction of importance and maturity—and that only by contrast with the sudden sag to embarrassed insignificance when finally old Rock and I drove up to Jenkins’ store.
    For a farm boy is like that. Alone with himself and his horse he cuts a fine figure. He is the measure of the universe. He foresees a great many encounters with life, and in them all acquits himself a little more than creditably. He is fearless, resourceful, a bit of a brag. His horse never contradicts.
    But in town it is different. There are eyes here, critical, that pierce with a single glance the little bubble of his self-importance, and leave him dwindled smaller even than his normal size. It always happens that way. They are so superbly poised and sophisticated, these strangers, so completely masters of their situation as they loll in doorways and go sauntering up and down Main Street. Instantly he yields to them his place as measure of the universe, especially if he is a small boy wearing squeaky corduroys, especially if he has a worldly-wise old horse like Rock, one that knows his Main Streets, and will take them in nothing but his own slow philosophic stride.

    - p. 245: “It wouldn’t do,” I persisted. “The way this one’s written isn’t what it really means. You’d need me to explain—“
    He teetered rapidly. “Show me just one thing I don’t know what it means.”
    “Oranges,” I said, “but that’s only oranges if eggs are twenty-nine cents or more—and bigger oranges if they’re thirty-one. You see, you’d never understand—“
    So I had my way and explained it all right then and there. What with eggs at twenty-nine and a half cents a dozen and my mother out a little in her calculations, it was somewhat confusing for a while; but after arguing a lot and pulling away the paper from each other that they were figuring on, the young man and Mr. Jenkins finally had it all worked out, with mustard and soap omitted altogether, and an extra half-dozen oranges thrown in.

    - pp. 246-247: A few stools away there was a young man sitting. I kept watching him and wondering.
    He was well-dressed, a nonchalance about his clothes that distinguished him from anyone I had ever seen, and yet at the same time it was a shabby suit, with shiny elbows and threadbare cuffs. His hands were slender, almost a girl’s hands, yet vaguely with their shapely quietness they troubled me, because, however slender and smooth, they were yet hands to be reckoned with, strong with a strength that was different from the rugged labour-strength I knew.
    He smoked a cigarette, and blew rings towards the window.
    Different from the farmer boys I knew, yet different also from the young man with the yellow shoes in Jenkins’ store. Staring out at it through the restaurant window he was as far away from Main Street as was I with plodding old Rock and my squeaky corduroys. I presumed for a minute or two an imaginary companionship. I finished my soda, and to be with him a little longer ordered lemonade. It was strangely important to be with him, to prolong a while this companionship. I hadn’t the slightest hope of his noticing me, nor the slightest intention of obtruding myself.

    - pp. 252-254: The chores at the stable took me nearly an hour; and then, instead of returning to the house, I went over to see Philip. It was dark now, and there was a smoky lantern lit. He sat on the only chair, and in a hospitable silence motioned me to the bed. At once he ignored and accepted me. It was as if we had always known each other and long outgrown the need of conversation. He smoked, and blew rings towards the open door where the warm fall night encroached. I waited, eager, afraid lest they call me to the house, yet knowing that I must wait. Gradually the flame in the lantern smoked the glass till scarcely his face was left visible. I sat tense, expectant, wondering who he was, where he came from, why he should be here to do my father’s stooking.
    There were no answers, but presently he reached for his cornet. In the dim, soft darkness I could see it glow and quicken. And I remember still what a long and fearful moment it was crouched and steeling myself, waiting for him to begin.
    And I was right: when they came the notes were piercing, gold as the cornet itself, and they gave life expanse that it had never known before. They floated up against the night, and each for a moment hung there clear and visible. Sometimes they mounted poignant and sheer. Sometimes they soared and then, like a bird alighting, fell and brushed each again.
    It was To the Evening Star. He finished it and told me. He told me the names of all the other pieces that he played: an Ave Maria, Song of India, a serenade—all bright through the dark like slow, suspended lightning, chilled sometimes with a glimpse of the unknown. Only for Philip there I could not have endured it. With my senses I clung hard to him—the acrid smell of his cigarettes, the tilted profile daubed with smoky light.
    Then abruptly he stood up, as if understanding, and said, “Now we’d better have a march, Tom—to bring us back where we belong. A cornet can be good fun, too, you know. Listen to this one and tell me.”
    He stood erect, head thrown back exactly like a picture on my reader of a bugler boy, and the notes came flashing gallant through the night until the two of us went swinging along in step with them a hundred thousand strong. For this was another march that did march. It marched us miles. It made the feet eager and the heart brave. It said that life was worth the living and bright as morning shone ahead to show the way.
    Last edited by HERO; 01-23-2012 at 06:23 AM.

    Kristen Pfaff and Kurt Donald Cobain didn't like the scene anyhow

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